Reviewed by Colin Jacobson (March 2, 2020)
With a star-studded cast involved and legendary director John Huston behind the camera, 1981’s Victory looked like a sure-fire hit. Alas, it got decent but not great reviews and failed to find an audience, as it pulled in a mere $10 million in the US.
I vaguely recall the movie from my youth, but I never saw it. With a remake apparently on the horizon and this Blu-ray in my paws, this feels like a good time to see if I missed anything 39 years ago.
Set in Nazi-occupied France circa 1942, POWs play soccer to pass the time. When he visits the camp, Nazi Major Karl von Steiner (Max von Sydow) recognizes English Captain John Colby (Michael Caine), a former professional athlete.
This launches an idea: a soccer game between a ragtag group of POWs and the best Germans the Nazis can find. While the POWs attempt to defeat the Krauts on the pitch, they also use the match as a distraction to allow them to escape.
So in other words, that sounds like The Great Escape with soccer – if Great Escape was slow and lifeless, that is.
With Victory, we get two dueling plotlines, each of which could sustain its own movie. We find the attempts of the POWs to defeat the “master race”, and we see the escape efforts.
Given so much potential drama, Victory feels oddly inert. Perhaps the two storylines cancel each other out, as the film certainly struggles to create interest.
The biggest flaw comes from the movie’s inability to effectively meld the two narratives. Rather than make the escape mesh with the soccer match, the two feel strangely disconnected, as if two separate films were awkwardly edited into one.
Eventually they reintegrate, but the disjointed feel means we find ourselves too disenchanted to care. Honestly, the scenes in which American POW Hatch (Sylvester Stallone) escapes seem to exist mainly to showcase the then-popular actor.
Would the Hatch scenes occupy so much cinematic real estate without Stallone in tow? Perhaps, but they feel largely gratuitous, especially when Hatch engages in an eye-rolling semi-romance with a French woman.
When we shift to Hatch’s escape, we lose balance – not that the pre-escape moments fare much better. The movie simply lacks real drama or development, so we follow some perfunctory elements that fail to become compelling.
Once we get to the climactic soccer match – and a broader escape attempt – matters improve slightly, but not enough to redeem the film. Because we spent so much time with a slow, meandering tale, the big finale seems less lively and interesting than it should be.
Nothing about Victory turns it into a bad movie, as it always remains professional. Stallone hams it up too much, but Caine and Von Sydow offer good work, and it’s oddly fun to see soccer legend Pele attempt to act.
Victory can’t help but seem like a disappointment, though. What should be a rousing tale on multiple levels fails to achieve liftoff.