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A24

MOVIE INFO

Director:
Aaron Schimberg
Cast:
Sebastian Stan, Renate Reinsve, Adam Pearson
Writing Credits:
Aaron Schimberg

Synopsis:
An aspiring actor undergoes a radical medical procedure to drastically transform his appearance, but his new dream face quickly turns into a nightmare.

MPAA:
Rated R.

DISC DETAILS
Presentation:
Aspect Ratio: 1.85:1
Audio:
English Dolby Atmos
English Descriptive Audio
Subtitles:
English
Spanish
Closed-captioned
Supplements Subtitles:
English

Runtime: 112 min.
Price: $30.00
Release Date: 6/17/2025

Bonus:
• Audio Commentary with Writer/Director Aaron Schimberg and Actors Sebastian Stan and Adam Pearson
• “About Face” Featurette
• “ADM BTS” Short Film
• 8 Deleted Scenes
• 6 Photo Cards


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RELATED REVIEWS


A Different Man [Blu-Ray] (2024)

Reviewed by Colin Jacobson (July 20, 2025)

Although he could easily coast on his profitable appearances in many Marvel Cinematic Universe (MCU) movies, Sebastian Stan leans toward other sorts of flicks in his “spare time”. 2024’s A Different Man represents one of these more “indie” efforts.

Because neurofibromatosis disfigures his face, Edward Lemuel (Stan) aspires to a career as an actor but his looks impede this goal – and his love life, as he feels he can’t pursue his romantic feelings toward neighbor Ingrid Vold (Renate Reinsve). After he receives an appearance-altering medical procedure, he claims Edward died and launches a new handsome life as “Guy Moratz”.

Eventually “Guy” becomes a successful real estate agent who discovers that Ingrid created an off-Broadway play about Edward. When Oswald (Adam Pearson) – another man with facial disfigurement caused by neurofibromatosis – becomes involved, Edward spirals.

Nothing screams “actor who chases Oscar gold” like an attractive star who commits to a role that distorts his looks. Stan actually did get an Academy Award nomination for 2024’s The Apprentice, where he played a horribly flawed character.

However, that one cast him as someone solely disfigured on the inside: Donald Trump. Even with his bizarre fake tan and bad combover, Trump doesn’t seem conventionally malformed on the outside.

Man requires Stan to go through both a physical transformation and a personality shift, though obviously the former becomes more substantial. The movie’s first 40 minutes submerges Stan under extreme makeup prosthetics before it allows our normal view of the actor.

The attitude change from Edward to Guy seems less significant, as “Guy” remains just as awkward and insecure as Edward was. This ties into a thematic choice posited by writer/director Aaron Schimberg, one that doesn’t work.

To a large degree, Schimberg wants to tell us that attitude matters more than looks. And in this case, that’s a crock of nonsense.

Sorry, but no amount of self-confidence can overcome the difficulties in life people who look like Edward or Oswald endure. Sure, positivity can make them function better, but facial disfigurements like those we see become unavoidable issues.

Even if I don’t agree with the “attitude is everything” concept, I would buy into it more if Schimberg executed it with consistency. However, the portrayal of “Guy” doesn’t follow that path.

Schimberg keeps “Guy” just as awkward and insecure as Edward so he can contrast with the charming and magnetic Oswald. This leads down a path where Edward/Guy becomes envious of Oswald despite the fact Oswald comes with the same unusual appearance Edward sported.

Okay, sure – this could fly if the movie didn’t show how much success “Guy” enjoys despite his clumsy and off-putting personality. Even though “Guy” comes with a personality as flawed as Edward’s, he becomes a big-time real estate agent who bags any woman he wants.

Including Ingrid! When Edward made a move, she recoiled, but when she meets handsome “Guy”, she seduces him and they become a couple.

All because “Guy” is attractive and Edward isn’t. “Guy” is no more charming or assertive, but because he looks good, he gets the girl(s).

Which is real life, but it makes no sense for the film to pursue this path when it also wants us to buy that Oswald boasts such magnetism that literally no one seems to notice his looks. Even as a metaphor, this becomes too much to take.

Man comes with plenty of other narrative issues. These take a potentially interesting tale and turn it into a mess because so much of the film makes little sense.

It doesn’t help that Man becomes completely ludicrous during its third act. Edward enters a downward spiral that feels utterly unconvincing and ridiculous.

Honestly, Man feels like a 20-minute short stretched to 112 minutes. More concept than well-realized story, the movie meanders and doesn’t achieve its goals.


The Disc Grades: Picture C+/ Audio B-/ Bonus B-

A Different Man appears in an aspect ratio of 1.85:1 on this Blu-ray Disc. Shot on 16mm film, the image looked watchable but it demonstrated the restrictions of the source.

This meant inconsistent sharpness. Close-ups looked reasonably tight but wider elements tended to lean toward the soft side of the street.

No issues with jagged edges or shimmering materialized, and I saw no edge haloes. A reflection of the film stock, grain seemed heavy, and I also witnessed a smattering of small specks and marks.

Colors leaned toward a dingy sense of amber and teal. These felt largely lifeless, another facet of the photography.

Blacks were somewhat inky, while low-light scenes came across as a bit dense. For a 16mm independent film, the image seemed adequate but it wasn’t attractive.

Did a low-budget character drama like Different Man need a Dolby Atmos soundtrack? No, and downconverted to Dolby TrueHD 7.1, the end product seemed predictably low-key.

Not that the soundscape never popped to life, as it mustered some involvement at times. For instance, a thunderstorm used the various channels pretty well.

Otherwise, this became a subdued soundfield. Music showed good stereo and effects created a decent sense of place, but the track didn’t do much with the various channels most of the time.

Audio quality worked fine, with speech that appeared natural and concise. Music offered appealing range and punch.

As noted, effects usually didn’t get much to do, but those components seemed accurate and largely full. The soundtrack suited the story.

We get a few extras here, and these include an audio commentary from writer/director Aaron Schimberg and actors Sebastian Stan and Adam Pearson. All three sit together for this running, screen-specific look at cast and performances, sets and locations, editing and cut scenes, music, photography, and various movie specifics.

This turns into a pretty “nuts and bolts” commentary so don’t expect insights about the movie’s characters or goals or creative processes. That makes it moderately informative but more superficial than I’d like.

A featurette called About Face goes for 20 minutes, 13 seconds. It brings notes from Schimberg, Stan, Pearson, costume designer Stacey Berman, makeup designer Mike Marino, production designer Anna Kathleen, and actor Renate Reinsve.

“Face” looks at casting and the representation of disfigured people, story and characters, costumes, prosthetic makeup, sets and locations. It mixes happy talk with decent insights.

ADM BTS runs 14 minutes, 45 seconds and offers an “experimental” Super 8 flick that depicts the shoot of Man. “Experimental” means “utterly incoherent” so this becomes an intensely annoying and useless stab at a “behind the scenes” reel.

Four Deleted Scenes span a total of four minutes, 38 seconds. Most extended existing sequences, though some new material arrives as well. None of them seem memorable or especially useful.

Finally, the package includes six Collectible Postcards that feature movie photos on one side and script excerpts on the other. These seem decent enough.

As an essay about how humans perceive both physical appearance and self-confidence, A Different Man comes with the potential to give us an interesting journey. Instead, it makes no sense and can’t decide what it actually wants to tell us. The Blu-ray comes with acceptable picture and audio as well as a few bonus features. Disjointed and unsure how to achieve its goals, the movie sputters.

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