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MOVIE INFO

Director:
Frank A. Cappello
Cast:
Viggo Mortensen, Ryô Ishibashi, Michael Nouri
Writing Credits:
Max Strom, John Allen Nelson

Synopsis:
An American with a secret ends up part of the Yakuza's operation.

MPAA:
Rated R.

DISC DETAILS
Presentation:
Aspect Ratio: 1.85:1
Audio:
English LPCM Stereo
Subtitles:
English
Closed-captioned
Supplements Subtitles:
None

Runtime: 95 min.
Price: $39.95
Release Date: 2/10/2026

Bonus:
• Audio Commentary from Director Frank Cappello and Actor Anzu Lawson
• “Yakuza Style” Featurette
• “Decoding Honor” Featurette
• Interview with Actor Ryô Ishibashi
• Trailer
• Image Gallery


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RELATED REVIEWS


American Yakuza: Collector's Edition [Blu-Ray] (1993)

Reviewed by Colin Jacobson (February 2, 2026)

Viggo Mortensen made his film debut with a reasonably substantial supporting role in 1985’s hit Witness, but he wouldn’t achieve actual fame until his breakout part as Aragorn in Peter Jackson’s early 2000s Lord of the Rings trilogy. For one of his early stabs at a lead character, we go to 1993’s America Yakuza.

After a stint in prison, Nick Davis (Mortensen) gets a gig as a forklift operator at a warehouse owned by Isshin Tendo (John Fujioka), a bigwig in the Japanese Yakuza criminal operation. When the US Mafia attacks this location, Nick manages to protect Yakuza agent Shuji Sawamoto (Ryô Ishibashi).

This gets Nick on the organization’s good side and allows him to join. However, Nick hides a secret and isn’t really who he claims to be.

Would anyone manifest any interest in Yakuza if Mortensen never became a star? Probably not, as it offers a pretty limp mix of crime and action.

The film clearly did nothing to boost Mortensen’s profile as a star on the big screen because it received zero theatrical exhibition. Instead, it went straight to HBO in 1994 before it got a VHS release in 1995.

That meant Yakuza slipped under my radar. However, I don’t regret the fact it took me more than 30 years to see the movie because it feels so wholly derivative and stale.

On the positive side, Yakuza comes with a surprisingly capable cast. In addition to those mentioned in my synopsis, we find Robert Forster, Nicky Katt and Michael Nouri among other less familiar but no less talented actors.

Unfortunately, they can’t do anything to elevate the trite script. Yakuza hits on every cliché imaginable and does absolutely nothing to bring life to its tiresome tropes.

The only flick in director Frank Cappello’s filmography that seems likely to ring a bell with most movie buffs comes from 2005’s Keanu Reeves cult hit Constantine. Cappello didn’t direct that one, though, as he served as co-writer instead.

Outside of Constantine, even the most dedicated film fan probably won’t recognize his work. This means I can’t judge his handful of other directorial efforts because I never saw them.

Based on Yakuza, though, I find it tough to imagine Cappello displayed much talent behind the camera. He stages everything here in ways seen in 8000 other genre flicks, and everything feels utterly rote and unexciting.

My, what a dull stab at a thriller Yakuza becomes! Even with all the expected violence and theoretical intrigue, nary of moment of tension or excitement result.

The genuinely awful synth score by David C. Williams doesn’t help. It sounds cheap and cheesy, and Williams also Mickey Mouses the whole thing to telegraph every possible beat.

Granted, I guess I can’t fault Williams these trends, as the movie seems so lifeless that he probably figured his trite score would act as a form of cinematic CPR. This doesn’t work and Yakuza winds up as a dull and sub-mediocre crime drama.


The Disc Grades: Picture B-/ Audio B-/ Bonus B-

American Yakuza appears in an aspect ratio of 1.85:1 on this Blu-ray Disc. Although I suspect the image accurately represented the source, the movie tended to seem oddly blah.

Sharpness usually seemed reasonably accurate, though not much of the film looked truly well-defined. It leaned soft more often than I would expect.

No issues with jagged edges or moiré effects manifested, and I witnessed no edge haloes. Grain felt appropriate but I saw a handful of small specks.

Colors veered toward fairly natural tones, albeit with cool blues as a semi-frequent tint. Though the hues didn’t stand out as memorable, they seemed adequate.

Blacks came across as a bit inky, and shadows could come across as somewhat flat. Because I felt most of the visual issues I witnessed stemmed from the original photography, I gave the image a “B-“, but this remained a somewhat flat presentation.

Though multi-channel audio was the norm in 1993, Yakuza only came with an LPCM stereo soundtrack. This prompted me to deduct points from my grade, as simple two-channel audio for a film from 1993 seemed primitive.

That said, the soundscape managed to use those two speakers pretty well. Music demonstrated positive stereo spread.

Effects boasted appealing localization and also blended smoothly. Nothing about the soundfield dazzled but it offered some punch.

Audio quality held up well, with speech that came across as natural and free from edginess. Music appeared reasonably full.

I found effects to sound accurate and fairly robust. The lack of surrounds made this mix dated even in 1993, but it still worked pretty well given those limitations.

When we shift to extras, we launch with an audio commentary from director Frank Cappello and actor Anzu Lawson. They sit together for a running, screen-specific look at story and characters, cast and performances, stunts, sets and locations and music.

Though it can feel fluffy at times, Cappello brings some insights and even self-criticism, whereas Lawson doesn't seem quite as informative. I can't call this a particularly good track but it comes with enough content to merit a listen.

Footnote: in the category of "what the who now?", Lawson claims a couple of times that Yakuza co-star Franklin Ajaye worked in 1976's Car Wash with Forest Whitaker. Ajaye did play a lead in Car Wash but Whitaker didn't enter movies until 1982. I tried to figure out what potential mistaken identity led her to feel Whitaker acted in Car Wash and came up utterly empty.

Three video programs follow. Yakuza Style spans 12 minutes, 36 seconds and offers more from Cappello.

The filmmakers tells us what brought him to movies as well as his career progression and aspects of the Yakuza production. Happily, Cappello doesn't repeat much from the commentary, so this becomes a solid little chat.

Decoding Honor goes for 37 minutes, 39 seconds. Shot in 2024, we get a chat with actor Viggo Mortensen.

The performer looks at his early career, his time on Yakuza, and his film experiences after 1993. While I can't claim Mortensen becomes a fascinating interview subject, I feel glad we hear from him, and he offers enough worthwhile material to make "Honor" worth a look.

Lastly, Interview with Actor Ryô Ishibashi runs 10 minutes, 40 seconds and involves his thoughts about his life and career along with some memories of the Yakuza shoot. We find another enjoyable collection of memories here.

In addition to the movie’s trailer, we get an Image Gallery with 20 publicity shots. They seem ordinary.

Despite a good cast that includes a pre-fame Viggo Mortensen in one of his earliest leads, American Yakuza ends up as a dud. The movie becomes a tedious compilation of cinematic tropes that feels like the straight-to-video product it is. The Blu-ray comes with decent picture and audio as well as a mix of bonus features. Unless you feel the need to must see every Mortensen movie ever made, avoid this boring tale.

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