DVD Movie Guide @ dvdmg.com Awards & Recommendations at Amazon.com.
.
Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main
SYNAPSE

MOVIE INFO

Director:
Gerry de Leon, Eddie Romero
Cast:
John Ashley, Kent Taylor, Mario Montenegro
Writer:
Cesar Amigo

Synopsis:
Natives of a tropical island have to contend with man-eating plants and animals, mutations caused by radioactivity.

MPAA:
Rated NR.

DISC DETAILS
Presentation:
Aspect Ratio: 1.33:1
Audio:
English DTS-HD MA Monaural
Subtitles:
English
Closed-captioned
Supplements Subtitles:
None

Runtime: 97 min.
Price: $39.95
Release Date: 3/25/2025
Available Only as Part of 4-Film “Fear in the Philippines” Collection

Bonus:
• Audio Commentary with Marketing Consultant Samuel M. Sherman
• “Jungle Fury” Featurette
• “Here Comes the Bride” Featurette
• “Beverly Hills On Blood Island” Featurette
• Alternate Title Sequence
• Trailers
• Poster & Still Gallery


PURCHASE @ AMAZON.COM

EQUIPMENT
-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Panasonic DMP-BDT220P Blu-Ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


RELATED REVIEWS


Brides of Blood [Blu-Ray] (1968)

Reviewed by Colin Jacobson (March 4, 2025)

With 1968’s Brides of Blood, we find the kind of low-budget drive-in fare the title implies. This one acts as part of a loose quadrilogy launched with 1959’s Terror Is a Man.

A ship takes three Americans to an island locals regard as cursed. There to investigate radiation from nuclear weapons tests, Dr. Paul Henderson (Kent Taylor) comes along with his sexually stymied wife Carla (Beverly Hills) and Peace Corps volunteer Jim Farrell (John Ashley) follows with them to help the natives improve their infrastructure.

The Americans soon encounter all sorts of weirdness. From living plant life to mutated creatures to a wicked monster, the visitors confront a mix of horrifying challenges.

So where do the titular brides enter the tale? Via the human sacrifice the islanders use in attempts to fend off their woes.

If all that sounds like a scattered and messy plot, you read correctly. I find it difficult to claim Blood comes with an actual narrative, honestly, as it feels more like a collection of vaguely linked scenes.

Oh, these all lead somewhere, but the movie ambles on its way and never delivers material that connects. We just get sequences with spooky weirdness but little that comes across as memorable or concise.

Blood tends to feel like a rehash of other movies as well. We find “primitive” natives who make human sacrifices, a local boss (Mario Montenegro) with an ulterior motive and plenty of other tired tropes.

At no point does Blood threaten to bring life to these concepts. It just pursues them in a predictable manner and lacks drama.

While I didn’t love Terror Is a Man, I thought it fared better than anticipated, mainly because it offered solid photography and a more serious tone that one expects from cheap horror.

Even with the same directors behind it, Blood fails to boast these positives. While not an ugly film, its cinematography seems bland and basic.

The movie also indulges in the cheesy vibe happily absent from Man. Blood brings us exactly the kind of goofy and campy affair the flick’s genre and budget imply.

If Blood created silly fun with these choices, I might not mind as much. However, the end product plods and never turns into a “guilty pleasure”.

Really, it never becomes a pleasure period. Dull and monotonous, even some nudity can’t make Blood a watchable experience.


The Disc Grades: Picture B/ Audio C-/ Bonus B-

Brides of Blood appears in an aspect ratio of approximately 1.33:1 on this Blu-ray Disc. While it came with a few minor issues, this nonetheless turned into a solid image for a cheaply-made movie from the 1960s.

For the most part, sharpness looked positive. A few slightly soft shots popped up, but the majority of the movie appeared accurate and well-defined.

No concerns with jagged edges or shimmering occurred, and I saw no edge haloes. The movie brought light grain and largely lacked print flaws, though some thin vertical lines showed up on a few brief occasions.

Colors mostly leaned toward a natural palette that made sense for the tropical setting, though the image could seem a little too green at times. Still, the hues usually offered appealing vivacity.

Blacks felt deep and dense, while shadows brought good clarity. Even with some small concerns, I still thought the presentation satisfied.

Unfortunately, the movie’s DTS-HD MA monaural audio survived less well. Speech suffered from poor looping and tended to sound flat.

Effects and music followed suit. They showed some roughness but mainly felt dull and bland, without range.

Some light pops cropped up during the track but these didn’t turn into a notable distraction. Even for its era, the audio seemed iffy.

A mix of extras appears here, and we get an audio commentary from Hemisphere Films Marketing Consultant Samuel M. Sherman. He gives us a running, sporadically-screen-specific look at the output of Hemisphere as well as his promotional efforts.

Sherman hardly ever discusses the movie itself as it goes, but that doesn’t become a problem. He covers the behind the scenes elements related to the production company and advertising in a fun and informative manner.

Note that Sherman’s commentary ends at the 47-minute, 20-second mark. He then tells us he’ll pick up his discussion with his track for 1969’s Mad Doctor of Blood Island.

Three featurettes follow, and Jungle Fury goes for 13 minutes, 47 seconds. The reel provides a chat with co-director Eddie Romero.

The filmmaker tells us how he got into the movie business as well as other aspects of his career. Romero tells us nothing specific about Brides but he still makes this an interesting piece.

Here Comes the Bride spans 21 minutes, 45 seconds. Here we find more from Sam Sherman.

He discusses Hemisphere and their move to productions in the Philippines along with thoughts about cast/crew and Brides. While a good conversation in its own right, much of this material already appears in the commentary, so don’t expect lots of fresh details.

Finally, we get the seven-minute, nine-second Beverly Hills on Blood Island. This one offers an interview with actor Beverly Powers.

She looks at her experiences during the movie’s production. While brief, Powers gives us some enjoyable memories.

In addition to the movie’s teaser and trailer, we find an Alternate Brides of Blood Title Sequence and Jungle Fury Title Card (1:21). The first segment calls the movie The Brides of Blood Island and shows that version of the opening credits, and then we simply see a quick flash of Jungle Fury as the movie’s name. This quick reel offers archival interest and nothing more.

The disc ends with a Poster and Still Gallery. The running compilation gives us 70 screens of ads, publicity materials and studio notes.

The “Gallery” also opens with a two-minute radio ad and then plays movie music the rest of the way. It turns into an effective compilation.

If you expect anything more than cheap drive-in fare from Brides of Blood, you will encounter disappointment. The flick lacks much entertainment value, as even with its campy side, it feels dull. The Blu-ray comes with pretty good picture, mediocre audio and a mix of bonus materials. Not much about Brides works.

Note that this version of Brides of Blood appears solely as part of a four-movie set entitled “Fear in the Philippines: The Complete Blood Island Films”. This package also includes 1959’s Terror Is a Man, 1969’s Mad Doctor of Blood Island and 1970’s Beast of Blood.

Viewer Film Ratings: 2 Stars Number of Votes: 1
05:
04:
0 3:
12:
01:
View Averages for all rated titles.

.
Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main