The ChubbChubbs appears in an aspect ratio of approximately 1.85:1 on this single-sided, single-layered DVD; the image has been enhanced for 16X9 televisions. Like most recent animated projects, Chubbs presented a vivid and robust picture.
Sharpness seemed flawless. The film remained distinct and well defined at all times. I noticed no signs of softness or fuzziness in this detailed and crisp presentation. No issues with jagged edges or moirť effects occurred either, and I didnít see any signs of edge enhancement. Not surprisingly, print flaws also appeared absent. I donít know if Chubbs came from a digital-to-digital transfer, but it looked consistently free from defects.
Colors seemed a little subdued for this kind of film, but that appeared to be a design decision and didnít come across as anything related to the transfer. The hues generally were rich and warm, and they displayed no flaws like noise or bleeding. Blacks appeared dense and firm, while shadows were accurately opaque; low-light shots seemed well defined. I didnít think The ChubbChubbs presented a truly amazing visual experience, but it looked very strong nonetheless.
The Dolby Digital 5.1 soundtrack of The ChubbChubbs also seemed quite satisfying. The soundfield offered a good five-channel mix that kept the different speakers active. Between the bar setting and the attack of the monsters, the short film included lots of opportunities for broad audio, and the track made nice use of them. Various elements popped up in appropriate places and they moved across channels effectively. The surrounds kicked in with a lot of unique elements and helped make the track work well.
Quality also seemed positive. Speech was distinct and concise, with no problems on display. Music sounded bright and bouncy, which fit the setting. The score and songs were clear and distinctive, and they showed solid range. Effects demonstrated fine definition and accuracy, and they lacked any signs of distortion. Bass response was tight and deep. The low-end never appeared loose or boomy, as bass sounded firm and rich. The audio of ChubbChubbs did its job well.
As for supplements, ChubbChubbs only tosses in some trailers. Actually, it includes tons of them. We find ads for Anger Management, Daddy Day Care, Charlieís Angels: Full Throttle, Men In Black II, I-Spy, Columbia-Tristarís ďFamily FunĒ and ďTV Comedy FavoritesĒ titles, National Security and Adam Sandlerís Eight Crazy Nights. All the film promos present anamorphic 1.85:1 picture with Dolby Digital 5.1 audio.
The absence of any substantial extras keeps the DVD of The ChubbChubbs from becoming a definite purchase. The short film itself seems very charming and delightful. It comes across as sly and frisky but not overbearing or self-conscious as it mildly spoofs sci-fi movies. The DVD offers very fine picture and audio, but it lacks any compelling supplements.
And thereís the obstacle to recommendation. If you already have the Men In Black II DVD, thereís absolutely no reason to consider a purchase of ChubbChubbs on its own unless you just adore unrelated trailers. Frankly, with a list price of almost $10, ChubbChubbs seems a little expensive for what you get. Had we found some features that delved into the short, itíd be much more worthwhile, but without those, it doesnít seem like a very good deal.
This is a toughie, because I really did like ChubbChubbs. I recommend the film itself, and if you donít mind the price, Iíd advise you to get it. Better yet, if you find a cheap copy of Men In Black II, pick up that instead. I didnít care for that movie, but at least the set includes pieces that make it a better value. The flickís a dud, but the DVD provides some entertaining supplements, so Iíd rather own it as a way to possess ChubbChubbs rather than drop ten bucks for this sparse presentation.