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John McTiernan
Bruce Willis, Alan Rickman, Bonnie Bedelia
Writing Credits:
Jeb Stuart, Steven E. de Souza

Tagline: Synopsis:
NYPD cop John McClane tries to save his wife and several others taken hostage by German terrorist Hans Gruber during a Christmas party.

Box Office:
$28 million.
Opening Weekend
$7,105,514 on 1276 screens.
Domestic Gross

Rated R

Aspect Ratio: 2.35:1
English DTS-HD MA 5.1
Spanish Dolby 5.1
English Dolby Surround 2.0
French DTS 5.1
Castillian DTS 5.1
German DTS 5.1
Italian DTS 5.1
Czech Dolby 5.1
Polish Dolby 5.1
Supplements Subtitles:

Runtime: 132 min.
Price: $14.96
Release Date: 5/15/2018

• Audio Commentary with Director John McTiernan and Production Designer Jackson DeGovia
• Scene Specific Audio Commentary by Special Effects Supervisor Richard Edlund
• Text Commentary
• Interactive Still Gallery
• “The Newscasts”
• Trailers and TV Spots
• Blu-ray Copy


-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Sony UBP-X800 4K Ultra HD Blu-ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


Die Hard [4K UHD] (1988)

Reviewed by Colin Jacobson (November 26, 2018)

Because this represents my sixth review of 1988’s Die Hard, I’ll skip my usual film discussion. If you’d like to read my full thoughts on the movie, please click here.

To summarize:Die Hard stands as arguably the most influential action movie of the 1980s, and it has lost none of its luster or appeal since it first appeared. Die Hard remains a nearly perfect example of an intelligently executed and tremendously exciting film.

The Disc Grades: Picture B+/ Audio B+/ Bonus B

Die Hard appears in an aspect ratio of approximately 2.35:1 on this 4K UHD Disc. Across the board, this became a satisfying presentation.

Sharpness was the only occasional slightly weak link, as occasional shots could be a smidgen soft. However, those clearly stemmed from the source photography, and the vast majority of the movie boasted very good to excellent delineation.

No signs of jagged edges or moiré effects appeared, and the image lacked edge haloes. Grain seemed natural and print flaws remained absent.

Die Hard featured a fairly subdued and earthy palette, but the colors it included appeared well reproduced. Occasional red lighting looked tight and concise, and the mix of blue and brownish tones that dominated the film were clear and accurate.

A few dusk shots came across especially well, as the movie presented a nice golden glow that seemed quite attractive. The 4K UHD used HDR in a way that added life to the colors but didn’t make them over the top or cartoony.

Black levels appeared nicely deep and rich, and shadow detail consistently was appropriately heavy but not excessively dark, so low-light scenes provided appealing amounts of opacity. The 4K UHD became easily the best version of the movie I’ve ever seen.

As for the film’s DTS-HD MA 5.1 audio, the soundfield was a high point, as the movie offered a nicely broad and engaging environment through most of the film. The forward spectrum dominated to a degree, and it provided a nicely separated and lively atmosphere.

Within the spectrum, sounds seemed to be accurately placed, and they blended together well. During the quieter scenes, the environment was also fairly subdued, but it appeared to be natural and believable.

Since Die Hard is an action flick, however, we really don’t care all that much about the quiet scenes. Where the movie earned its pay was during the slam-bang sequences, and those became quite involving. While the forward channels continued to provide the best-defined elements, and the surrounds kicked in a solid amount of information as well.

Split surround usage occurred only occasionally, and mainly happened when I heard gunfire. Otherwise, the rear speakers tended to feature more general audio, but don’t let that factor make you think they weren’t vibrant participants. When the track demanded a full five-channel meltdown, all the speakers were up to the task and they provided a wide and encompassing track that helped ratchet up the action.

Audio quality was more erratic and caused me to find some fault with the track. The dialogue was the weakest aspect of the mix.

Throughout much of the movie, speech sounded somewhat thin and reedy, and many lines didn’t sound as natural and warm as I’d expect. A little edge appeared during louder lines as well. I never found the dialogue to seem unintelligible, but the quality level was not as high as it should have been.

Some flaws also affected the effects, but these were more consistent. A few elements appeared somewhat flat or bland, but as a whole, effects came across as pretty rich and lively. Explosions and gunfire showed no signs of distortion, and dynamic response seemed to be quite strong.

Bass response consistently sounded tight and rich. Blasts rocked the room, and even more subtle low-end elements were deep and believable. While the effects occasionally displayed a few flaws, they generally appeared well-rendered.

Music showed fine range and seemed clean and vibrant throughout the movie. Highs were crisp and well-defined, while the bass appeared taut and distinct. Music played a strong role in Die Hard, and the soundtrack reproduced it well. Overall, the audio worked well given the movie’s age.

How did the 4K UHD compare to the 30th Anniversary Edition? Both offered identical audio, as they came with the same DTS-HD MA 5.1 track.

Visuals became a different story, as the 4K UHD offered a clear upgrade. The 4K UHD boasted significant improvements in terms of sharpness, and the image offered superior colors and blacks as well. This was a much better version of the film than the Blu-ray.

Note that the 2018 “30th Anniversary” disc duplicated the original Blu-ray from 2007. This makes the 4K UHD the only remaster of Die Hard since the 2007 release.

On the 4K UHD itself, we find a variety of commentary options, and the main track features director John McTiernan and production designer Jackson DeGovia. Both men were recorded separately and the results were edited together for this fairly interesting piece.

The commentary has a few empty gaps, but as a whole the two men cover most of the film, and they do so with useful remarks. Not surprisingly, DeGovia’s statements stick largely with technical issues, and he adds some nice details in that regard.

DeGovia’s information helped me better appreciate the design decisions made for the film and how they integrate with the action. He also goes over some of his work on other movies and what issues he feels are important for various sorts of flicks.

McTiernan provides a variety of fun tidbits. He covers some basic issues that related to the production and he discusses changes made to the story along the way. He also adds some notes about his general filmmaking ideas, which means we occasionally hear bits about a few of his other films.

Both men occasionally point out continuity flaws and silly aspects of the movie, which contributes a fun tone to the piece. Ultimately, this isn’t a terrific track, but I like it and feel it adds to my appreciation of a great film.

The second commentary brings a more limited affair that features special effects supervisor Richard Edlund. Edlund only speaks a few times during the movie, but although this represents a fairly small percentage of the movie, I like Edlund’s commentary.

Obviously he mainly sticks to technical issues, but he covers them concisely and entertainingly. In addition to specific discussions of Die Hard-related topics,

Edlund also delves into his work on other films, and since he’s had a very rich career, that makes this piece even more compelling. Although it’s brief, I rather like this mini-commentary from Edlund.

In addition to these two audio tracks, Die Hard includes a text commentary. This piece transcribes interview snippets with a variety of participants.

We get interviews with DeGovia, screenwriter Steven E. DeSouza, special effects coordinator Al Di Sarro, supervising sound editor Stephen Hunter Flick, producer Lawrence Gordon, composer Michael Kamen, editor John F. Link, stunt coordinator Charlie Picerni, and actor Alan Rickman. A variety of archival statements appear as well, and these come from folks like actors Bruce Willis and Alexander Godunov and a mix of film critics.

General remarks from film historian Eric Lichtenfeld tie this piece together and help make it quite interesting. A wide variety of issues receive coverage, and we hear a lot about the production, technical concerns, and interpretation of the movie.

The latter elements were probably the most compelling as they helped add depth to the flick and also placed it within the spectrum of movie history. Overall, I found this text commentary to be a very entertaining and useful program.

On the included Blu-ray copy, other extras appear, and under The Newscasts, we get a collection of the TV news clips seen in the film. Actually, the seven-minute, 59-second reel expands on the stuff we view in the movie.

Along with the tidbits we find in the flick, we get some additional lines and outtakes. The quality’s weak, but it’s a fun extra.

Next comes an Interactive Still Gallery. What makes it “interactive”?

Occasionally you’ll see the Nakatomi logo on-screen; when that happens, press “enter” and you’ll get items like set blueprints, deleted footage, and dailies. Including the “interactive” stills, this area includes 108 shots plus the video material. It’s a valuable resource.

Trailers and TV Spots includes a bunch of ads, of course. We find three trailers along with seven TV promos. “Fox on Blu-ray” also gives us clips for Die Hard 2, Die Hard with a Vengeance, Live Free or Die Hard and Alien Vs. Predator.

Many have imitated Die Hard, but none have matched it. 30 years after it wowed theatrical audiences, it remains one of the best action films ever made, and it stands as a seminal experience in moviemaking. The 4K UHD boasts very good picture and audio along with some decent supplements. It’s too bad fans still need an ancient DVD to own all the bonus materials, but in terms of movie reproduction, the 4K UHD easily tops prior releases.

To rate this film visit the DVD review of DIE HARD

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