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VESTRON

MOVIE INFO

Director:
Julien Temple
Cast:
Geena Davis, Jeff Goldblum, Jim Carrey
Writing Credits:
Julie Brown, Charlie Coffey, Terrence E. McNally

Synopsis:
A young Southern California woman befriends three humanoid aliens after their spaceship lands in her swimming pool.

MPAA:
Rated PG.

DISC DETAILS
Presentation:
Aspect Ratio: 2.35:1
Audio:
English DTS-HD MA 2.0
Subtitles:
English
Spanish
Closed-captioned
Supplements Subtitles:
None

Runtime: 100 min.
Price: $19.99
Release Date: 11/8/2022

Bonus:
• Audio Commentary with Actor/Co-Writer Julie Brown
• The Musical Man” Featurette
• “Candy Time” Featurette
• “Views of the Valley” Featurette
• “Aliens in LA” Featurette
• Deleted Scenes & Outtakes
• “Earth Girls Karaoke”
• BTS Footage
• Vintage Interview with Actor Charles Rocket
• Vintage Premiere Night Promo
• Still Gallery
• Storyboard Gallery
• Trailers, TV Spots & Radio Spots


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RELATED REVIEWS


Earth Girls Are Easy [Blu-Ray] (1988)

Reviewed by Colin Jacobson (July 30, 2025)

After they met on the set of 1985’s horror-comedy Transylvania 6-5000, actors Geena Davis and Jeff Goldblum began a romance and eventual marriage along with a continued cinematic partnership. 1986’s The Fly remains by far the most successful of this short run, but the two also starred together in 1988’s sci-fi comedy Earth Girls Are Easy.

Furry aliens Mac (Goldblum), Zeebo (Jim Carrey), and Wiploc (Damon Wayans) cruise around the galaxy in their spacecraft. When they see a broadcast that shows Earth females, they set a course to visit that planet.

Mac and company crash-land in the Southern California swimming pool owned by Valerie Gail (Davis). As the aliens get to know Valerie and her pals, she and Mac develop an improbable romance.

That synopsis implies Easy will offer a romantic comedy with a quirky science-fiction slant – and it does. But my overview leaves out one unusual aspect of the film: it also exists as a musical.

Which viewers might’ve guessed given the presence of Julien Temple behind the camera. Temple came to fame as the director of music videos and made his feature debut with 1986’s musical Absolute Beginners.

Not that Easy packs nonstop production numbers. While we find occasional musical moments, these don’t dominate the tale.

Instead, we largely find a mix of kitsch and “fish out of water” comedy. The presence of the aliens on Earth allows the movie to find plenty of ways to shoot for laughs.

And it achieves some decent humor at times, mainly in the way it parodies the society of its era. While Easy encapsulates all the aspects of the 1980s we now see as clichés, it does so in a manner that demonstrates an awareness of that era’s silliness and over the top nature.

These moments of 1980s social commentary don’t exactly dig deep. Still, they offer the movie’s most entertaining moments.

Otherwise, Easy becomes a bit of a mess. Even with a fairly simple “girl meets alien and falls in love” plot, it tends to meander a bit too much.

Temple couldn’t be called a director with a great ability to tell a concise story, and the aforementioned musical numbers don’t tend to blend well with the rest of the movie. Even though we don’t find all that many, they can stick out and fail to mesh especially neatly.

Indeed, parts of Easy come across like music videos plopped into the middle of a broad comedy. While the musical scenes give the movie an unusual quality, they don’t often work in the flick’s context.

Still, Easy brings a breezy experience that doesn’t take itself seriously, and it can be fun to see Wayans and Carrey so early in their careers. This didn’t mark the film debuts of either but Easy nonetheless presents them pre-fame.

Ultimately, Easy lacks the coherence and consistent wit it needs to become a particularly compelling mix of sci-fi, comedy and musical. Nonetheless, it musters occasional entertainment.


The Disc Grades: Picture C+/ Audio B-/ Bonus B+

Earth Girls Are Easy appears in an aspect ratio of approximately 2.35:1 on this Blu-ray Disc. Though it came with some positives, the image showed too many anomalies.

Sharpness became one of the inconsistent elements, as wide shots tended to seem on the soft side. Some light edge haloes became part of the issue and tended to give the film a bit of a “processed” look.

As did some grain reduction. While the film produced light grain at times, too much of the flick felt a bit scrubbed and unnatural.

No issues with jagged edges or shimmering materialized. In terms of print flaws, a handful of small specks cropped up but most of the film looked clean.

With a bright candy-colored palette, the colors of Easy became a highlight. The tones leaned slightly heavy at times but usually seemed vivid and bold.

Blacks appeared reasonably dense, while shadows offered reasonable clarity. Aspects of the image worked fine, but the edge haloes and grain reduction made this an inconsistent presentation.

As for the movie’s DTS-HD stereo soundtrack, it seemed satisfactory given its age and ambitions. Unsurprisingly, music used the channels best, as the score and songs spread across the speakers in a pleasing manner.

Effects also cropped up on the sides at times and showed moderate movement. Nothing about the stereo soundscape impressed, but it felt more than adequate.

Audio quality also showed its age but appeared satisfactory. Speech appeared fairly natural and concise, without notable edginess.

Music lacked great range but seemed moderately full, and effects displayed acceptable accuracy. Again, this never became an impressive mix, but it appeared satisfying for a comedy-musical from 1988.

We get a mix of extras here, and these open with an audio commentary from co-writer/actor Julie Brown. Along with moderator Mike Perez, she provides a running, screen-specific discussion of the movie’s origins and development, casting and performance, story and characters, sets and locations, music, other memories and the film’s legacy.

Brown offers her usual bubbly presence and she doesn’t “soft soap” her remarks, as she makes some criticisms of the way the process took place. This doesn’t mean she “dishes dirt” but she lets us know some good ins and outs across this largely compelling chat.

Featurettes follow, and The Musical Man goes for 20 minutes, one second. It provides an interview with director Julien Temple.

During “Man”, Temple covers his career as well as aspects of the film’s production and connected issues. Temple brings a slew of informative memories and makes this a quality chat.

More from Julie Brown shows up via the 20-minute, 10-second Candy Time. Here she chats about the film’s origins and development, casting, influences, music, the movie’s premiere, its release, and its afterlife.

Inevitably, Brown repeats some of the info from her commentary. Nonetheless, she adds enough new stories to ensure “Time” merits a look.

Views of the Valley spans 17 minutes, 39 seconds. It comes with notes from director of photography Oliver Stapleton and production designer Dennis Gassner.

During this reel, they examine – surprise! – the movie’s cinematography and its sets/locations/visual design. They provide a bunch of useful insights, even though it seems odd Stapleton claims the process utilized for weightless scenes couldn’t feature feet… while we see shots from those sequences that clearly depict feet.

Next comes Aliens in LA. This one lasts 11 minutes, 42 seconds and brings info from special makeup supervisor Robert Clark.

“LA” relates notes about Clark’s work on the film. Clark delivers a solid little overview.

Under Deleted Scenes & Outtakes, we find an eight minute, seven-second compilation. Only a few actual cut sequences arrive, with the longest a segment in which Valerie and Candy cruise around LA with the aliens.

It offers some entertainment, and we get multiple alternate takes needed to make a practical effect work. The other tend toward various trims and improv bits, so this becomes a decent collection.

Earth Girls Karaoke occupies 11 minutes, two seconds and shows the movie’s four musical moments along with lyrics displayed on screen. Someone might enjoy it, but I don’t.

After this we get seven minutes, 43 seconds of Behind the Scenes Footage that lets us observe aspects of the shoot along with some joking comments from Brown and actor Charles Rocket. Though brief, it comes with some interesting moments.

A Vintage Interview with Actor Charles Rocket lasts six minutes, 29 seconds and offers his thoughts about his audition, his take on his character and his work with the rest of the cast. Rocket offers fairly banal remarks.

We also locate a Vintage Premiere Night Promo that fills three minutes, 59 seconds and shows the movie’s opening. It brings some period charm.

A variety of ads ensue. We find two theatrical trailers, four TV spots and two radio spots.

The disc concludes with a Still Gallery (82 images) and a Storyboard Gallery (81 frames). Both add value.

When it hits on parody of its era, Earth Girls Are Easy generates some laughs. However, the rest of the film seems too spotty to become anything more than an occasional pleasure. The Blu-ray presents spotty visuals, acceptable audio and a long array of bonus materials. Expect a sporadically entertaining effort here.

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