The Fate of the Furious appears in an aspect ratio of approximately 2.40:1 on this 4K UHD Disc. This became an excellent presentation.
Sharpness worked well. At no point did I discern any softness, so the film was accurate and well-defined. I saw no signs of jaggies or moiré effects, and the film lacked edge haloes or print flaws.
If you suspected Fate would come with the modern standard teal and orange palette, you’ll get what you expected, though not to an extreme. While the flick went with those overtones, they didn’t overwhelm.
I’d like to see action flicks dispense with those conceits, but given their ambitions, they looked fine here. The disc’s HDR offered nice heft and dimensionality to the tones.
Blacks came across nicely. Dark tones were deep and rich, without any muddiness or problems.
In addition, low-light shots gave us smooth, clear visuals, and the HDR added range to whites and contrast. All in all, this became a pleasing presentation.
I felt happy with the solid DTS-X soundtrack of Fate. Downconverted to DTS-HD MA 7.1, the mix offered plenty of opportunities for lively auditory information, and it took good advantage of these.
From the road chases to gunfire to explosions to other action elements, the mix filled the speakers on a frequent basis. The track placed information in logical spots and blended all the channels in a smooth, compelling manner.
Audio quality was also positive. Music sounded lively and full, while effects delivered accurate material. Those elements showed nice clarity and kick, with tight low-end. Speech was always distinctive and concise, too. This mix worked well for the film.
How did the 4K UHD compare to the Blu-ray version? Audio remained identical, as both sported the same DTS X soundtrack.
As for the visuals, they got the standard 4K upgrade, with superior colors, blacks and definition. As great as the Blu-ray looked, the 4K improved upon it.
When we shift to extras, we launch with an audio commentary from director F. Gary Gray. He delivers a running, screen-specific discussion of story/characters, sets and locations, cars and other vehicles, stunts and action, visual design, and related elements.
While Gray gives us a decent array of thoughts, he tends toward perky hyperbole much of the time. This means we find lots of praise for the movie and all involved. We still learn some movie insights but these tend to get submerged under all the happy talk.
All the remaining extras appear on the included Blu-ray copy, where two Extended Fight Scenes fill a total of five minutes, three seconds. We find “Extended Prison Fight” (2:59) and “Extended Plane Fight” (2:04). They expand the scenes from the final film to give us more violence and mayhem. They’re not especially interesting.
Four featurettes follow. The Cuban Spirit lasts eight minutes, four seconds and includes info from Gray, producer Neal H. Moritz, gaffer Vladimir Martinez Gomez, writer/executive producer Chris Morgan, and actors Michelle Rodriguez, Vin Diesel, Janmarco Santiago, and Celestino Coriell.
As expected, “Spirit” covers aspects of the shoot in Cuba. Some nuggets emerge but this mostly feels like an advertisement for Cuban tourism.
Under In the Family, we get four segments: “Betraying the Family: Cipher and Dom” (6:35), “Leaderless: A Family Lost” (5:00), “Shaw Family Values” (3:56) and “Meet the Nobodys” (5:45).
Across these, we hear from Gray, Moritz, Morgan, and actors Charlize Theron, Dwayne Johnson, Nathalie Emmanuel, Chris “Ludacris” Bridges, Luke Evans, Helen Mirren, Scott Eastwood and Kurt Russell.
Across these clips, we learn about story/characters as well as cast and performances. These segments tend to be superficial and without much depth.
Car Culture splits into three pieces: “The Hero Cars of Fast” (10:24), “Zombie Cars” (5:35) and “The Ripsaw” (5:22).
These offer details from Gray, Diesel, Moritz, Johnson, Theron, picture car coordinator Dennis McCarthy, production designer Bill Brzeski, 2nd unit stunt coordinator Andrew Gill, 2nd unit director/stunt coordinator Spiro Razatos, special effects supervisor JD Schwalm, Howe and Howe Technologies’ Geoffrey Howe, and stuntman Erik Betts.
As expected, these reels look at the movie’s vehicles. Some good information emerges, but as usual, we find these notes slightly submerged under all the praise and hype.
Finally, All About the Stunts breaks into three more clips: “Malecon Street Race” (6:15), “Iceland Stunt Diaries” (6:45) and “The Streets of New York” (5:27). In these, we locate comments from Gray, Gill, McCarthy, Moritz, Diesel, Morgan, Razatos, Schwalm, Betts, stuntman Tony Carbajal, assistant location manager Miguel Tapia, and safety coordinator Vernhard Gudnason.
Like the title says, these featurettes examine stunts and action. They follow the path of the prior pieces, so they combine useful facts with hyperbole.
The disc opens with ads for The Mummy (2017), the Fast and Furious theme park attraction, Dead Again in Tombstone, Despicable Me 3 and Collide. No trailer for Fate appears here.
Note that fans can view an “Extended Director’s Cut” of Fate - but they won’t find it on the Blu-ray or 4K UHD. Unfortunately, Universal chose to make the EDC available only as a download. I think that’s a real slap in the face of people who purchase the Blu-ray or 4K – the EDC should be on a disc.
Eight films into the franchise, The Fate of the Furious demonstrates a lack of creativity. While it throws plenty of over the top action and mayhem at the viewer, little of this material sticks, so the end result feels oddly dull. The 4K UHD brings us excellent picture and audio along with a decent complement of bonus materials. Fate gives us a loud but lifeless experience.
To rate this film, visit the original review of FATE OF THE FURIOUS
F
