Ferris Bueller’s Day Off appears in an aspect ratio of approximately 2.35:1 on this Blu-ray Disc. Despite some artifacts from its era, the movie usually looked pretty nice.
Sharpness generally seemed quite good. A few interiors came across as a smidgen soft, but those instances were rare and insubstantial. The majority of the film boasted solid clarity and delineation. I noticed no issues with jagged edges, moiré effects or edge haloes.
Source flaws were the main distraction here, though they remained modest. Throughout the film, I noticed occasional instances of specks, marks and small blotches. These were infrequent but they created some distractions. Grain was in acceptable levels for a film of this one’s vintage.
Colors were usually pretty lively. Interiors seemed slightly flat, but they came across acceptably well, and exteriors boasted vivacious hues. Take the parade sequence, for instance; it offered tones that appeared quite dynamic. Blacks were dark and tight, and shadows looked fairly concise. Low-light shots could be a tad dense, but they showed better definition than I expected. Really, only a few minor concerns arose here, as I thought the vast majority of the film looked great.
I also liked the film’s Dolby TrueHD 5.1 soundtrack. Although nothing mind-blowing, the soundfield was fairly involving and engaging. The forward spectrum dominated and showed some decent stereo imaging. The music spread cleanly across the front speakers, and I also heard occasional use of discrete effects. These panned relatively well across the channels, and the forward audio seemed cleanly integrated.
The surrounds contributed some solid sound as well. None of the effects from the surrounds were terribly impressive, but they seemed good for this kind of movie. Mostly it was the film’s music that was reinforced in the rear. Clearly the soundfield didn’t compete with something from a more recent action spectacular, but I thought it seemed pretty good nonetheless, and it added a fine sense of place and involvement to the package.
Also positive was the quality of the audio. Speech appeared distinct and natural, with no issues related to intelligibility or edginess. Effects were clean and realistic and showed no signs of distortion. The music seemed clear and bright and displayed good low-end. As a whole, the track lacked much deep bass, but I found the dynamics to seem fairly satisfying, with most of the low-end stemming from the flick’s pop songs. The soundtrack of Ferris worked well for the film it served.
How did the picture and sound of this Blu-ray Ferris compare with those of the 2006 Special Edition DVD? I think both provide similar audio, but the visuals boast a good step up in quality. I suspect that the Blu-ray offers the same transfer as the prior DVD, but it comes across as noticeably sharper, brighter, and better defined here. The various flaws – slight softness and murkiness – that marred the DVD largely failed to occur on the Blu-ray. I wish Paramount would clean up the transfer to eliminate the smattering of print flaws, but otherwise the Blu-ray works really well and puts the last DVD to shame.
The Blu-ray repeats all of the extras from the 2006 special edition – and it continues to omit the John Hughes commentary found on the original 1999 DVD. That was a good track that rematerialized on a 2008 I Love the ‘80s release of Ferris. Paramount could have included it here to make the Blu-ray the most complete Ferris release, but unfortunately, it remains absent.
Looking at what we do find, we open with Getting the Class Together: The Cast of Ferris Bueller’s Day Off. This featurette runs 27 minutes and 44 seconds as it combines movie shots, archival elements, and interviews. We locate notes from casting directors Jane Jenkins and Janet Hirshenson, actors Matthew Broderick, Alan Ruck, Mia Sara (from 1986), Jennifer Grey (from 1985 and today), Lyman Ward, Cindy Pickett, Jeffrey Jones, Edie McClurg, Ben Stein, Richard Edson, Kristy Swanson, and Jonathan Schmock, and director John Hughes (from 1986).
“Class” looks at how the various actors got their roles, aspects of their characters, and experiences during the shoot. It moves briskly and covers its subject well. I’m happy to see Broderick and most of the other main actors here, and I like that we learn a little about the smaller parts as well. This turns out to be a fun piece.
For the next featurette, we find The Making of Ferris Bueller’s Day Off. It goes for 15 minutes, 28 seconds and features remarks from Stein, Broderick, Jones, Hughes (from 1986), McClurg, Ruck, Grey, and producer Tom Jacobson. We find out how quickly Hughes tossed off the script, Hughes’ direction and other aspects of the filming, editing, the film’s 1961 Ferrari, the parade sequence, and reactions to the flick.
“Making” doesn’t provide a concise, beginning-to-end look at the film’s creation. However, it does give us a nice impression of the flick. We get a mix of good details and a few fine insights. I especially like McClurg’s comments about her work with Jones. All that and plenty of archival shots that show Hughes’ absurd 1986 mullet!
In Who Is Ferris Bueller?, we get a nine-minute and 12-second featurette. We hear from Hughes (in 1987), Jones (in 1985), Broderick (in 1986 and today), Grey, Jones, Ruck, Pickett, Stein, and Sara (in 1986). The show discusses the Ferris character as well as Broderick. A few decent notes about both elements appear, but mostly we find a lot of praise and fluff.
A take on one of the movie’s more popular supporting actors comes from The World According to Ben Stein. This piece fills 10 minutes and 51 seconds as it offers details from Stein (in 1986 and today). He chats about his life and career as well as reflections on Ferris. How many featurettes include the phrase “self-pitying bipeds”? Stein gives us that and also compares Ferris to Jesus. Add to that a few nice insights and some fun stories to get a solid little clip.
After this we find Vintage Ferris Bueller: Lost Tapes. The featurette lasts 10 minutes and 15 seconds. “Lost” provides comments from the movie set. We hear from Broderick, Jones, Ruck and Sara. They chat about the shoot, the story and the characters. These can be fun, and we also get to see a short deleted clip. Obviously “Lost” lacks the perspective of modern comments, but it makes up for that in immediacy.
A photo collection called Class Album appears next. It presents 18 posed publicity stills that feature actors Broderick, Ruck and Sara. It’s not very interesting.
Perhaps the fact I’m not wild about Ferris Bueller’s Day Off makes me a traitor to my generation. The film certainly has maintained a big audience over the last two decades. I just never got a whole lot out of it, as I find it to provide sporadic entertainment and not much more. The Blu-ray features very good picture and pretty positive audio along with a generally interesting and informative package of supplements, though the absence of the original DVD’s audio commentary continues to annoy.
Although I expected the Blu-ray of Ferris to offer only marginal improvements over the prior DVD, I thought it actually worked quite a lot better. The movie provided visuals that outdid what I figured I’d get from a mid-80s effort and made the earlier release seem soft and drab. I think Ferris fans will be pleased with the Blu-ray.
To rate this film visit the original "Bueller Bueller" Edition of FERRIS BUELLER'S DAY OFF