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UNIVERSAL

MOVIE INFO

Director:
Sam Taylor-Johnson
Cast:
Dakota Johnson, Jamie Dornan, Marcia Gay Harden
Writing Credits:
Kelly Marcel

Synopsis:
Anastasia Steele's life changes forever when she meets handsome yet tormented billionaire Christian Grey.

Box Office:
Budget
$40 million.
Opening Weekend
$94,395,000 on 3646 Screens.
Domestic Gross
$166,007,105.

MPAA:
Rated R/Unrated.

DISC DETAILS
Presentation:
Aspect Ratio: 2.40:1
Audio:
English DTS X
English DTS Headphone X
Spanish DTS 5.1
French DTS 5.1
Japanese DTS 5.1
Portuguese DTS 5.1
Subtitles:
English
Spanish
French
Japanese
Portuguese
Closed-captioned
Supplements Subtitles:
English
Spanish
French

Runtime: 125 min. (Theatrical Version)
129 min. (Unrated Cut)
Price: $19.98
Release Date: 5/9/2017

Bonus:
• Both Theatrical and Unrated Cuts
• “The World of Fifty Shades of Grey” Featurette
• “Behind the Shades” Featurette
• “EL James and Fifty Shades” Featurette
• “The Pleasure of Pain” Featurette
• “Christian’s Apartment” 360-Degree Set Tour
• Music Videos
• “Behind the Scenes of ‘Earned It’” Featurette
• Previews
• Blu-ray Copy


PURCHASE @ AMAZON.COM

EQUIPMENT
-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Sony UBP-X700 4K Ultra HD Blu-ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


RELATED REVIEWS


Fifty Shades of Grey [4K UHD] (2015)

Reviewed by Colin Jacobson (February 18, 2026)

In a year that featured new entries in the Star Wars and Avengers franchises, I couldn’t call Fifty Shades of Grey the most-hyped film of 2015. Nonetheless, it was up there, as the movie came with all sorts of advance attention – and enough popular presence for Universal to greenlight two sequels before multiplex seats got cold.

Based on the hit novel by EL James, Shades introduces us to college student Anastasia “Ana” Steele (Dakota Johnson). As a favor to her ailing friend Kate (Eloise Mumford), Ana interviews Christian Grey (Jamie Dornan), a successful entrepreneur.

This starts a relationship that goes down unexpected paths. As she gets involved with Christian, Ana discovers that he boasts some kinky sexual preferences. We follow Ana’s journey and how her time with Christian affects her – and changes him as well.

To say that I don’t fit the target demographic for Shades would be an understatement. My gender ensures that more than anything else, as the audience for Shades skews radically female.

What do these women get from Shades? That I can’t explain, as the movie seems so dull and tedious that it becomes difficult to figure out what anyone likes about it.

Granted, the book performed better than the movie, and since I never read it, I can’t compare the two to figure out what made the material so popular in text form. I’d guess that it becomes “safe porn” for women who want to think they’re more daring and outrageous than they are, but that remains supposition.

I do know that virtually nothing about Shades the movie proves to be erotic, intriguing or stimulating. Oh, we find very attractive leads, as both Johnson and Dornan provide fine eye candy.

Beyond that, though, they lack any form of chemistry. Their sex scenes feel perfunctory and unstimulating.

When they appear, that is, as for a movie with a reputation as borderline porn, Shades doesn’t spend much time in erotic situations. Instead, it talks about these circumstances – and talks, and talks, and talks some more.

Shades seems less like a sexy romance and more like a tale of business negotiations. It feels like 90 percent of the story revolves around the “contract” that Christian requires his partners to sign and whether or not Ana will do so.

This leads to endless chatter about the contract and negotiation of terms. Ana argues about it. Christian sticks to his guns.

Ana provides counteroffers. Christian comes back with his own changes – and so on. Whose idea of hot, steamy fun is this?

Without risqué material to enliven the movie, Shades plods. It comes with dull, one-dimensional characters who show no sparks, and from the start, it never seems clear why Christian takes such an intense interest in Ana.

Sure, she’s cute, but she shows no personality or spirit. Why does he attach to her so quickly?

And why should we care about what happens to either of them? The movie dollops out tidbits of character exposition from time to time but it never prompts the viewer to take an active interest in the personalities.

They’re simply attractive props to get us to the promised tawdry sex. That is, the tawdry sex that never arrives.

Shades started as Twilight fan fiction, and its amateur roots show. The movie comes with laughable, clumsy dialogue and a poor sense of pacing and narrative.

Granted, I probably shouldn’t blame author EL James for the script’s failings. On the other hand, this seems like “silk purse/sow’s ear” territory where screenwriter Kelly Marcel needed to make do with what James gave her.

In the end, Shades couldn’t be more trite and stale if it tried. A predictable tale with only its “kinky” reputation to bolster it, the movie bores.


The Disc Grades: Picture B-/ Audio B-/ Bonus B-

Fifty Shades of Grey appears in an aspect ratio of approximately 2.40:1 on this 4K UHD Disc. A fairly early 4K UHD release, this one came with some issues.

For the most part, sharpness looked good. However, darker shots - of which we found quite a few - could seem a bit muddy and soft.

No issues with jagged edges or shimmering occurred, and edge haloes remained absent. Source flaws were a non-factor, as this was a clean presentation.

In terms of colors, the movie went with a stylized palette that favored teal and amber/orange came into the image as wel. The hues consistently seemed clear and concise within those parameters, with a bit of oomph from HDR.

Blacks were fairly deep and firm but a bit crushed, and shadows showed inconsistent delineation, as they could feel too dark at times. HDR added some impact to whites in brighter scenes but we got so few of those that the HDR made little difference. While I found the image to seem good enough - barely - for a "B-", it lacked spark.

Downconverted to DTS-HD MA 7.1, the movie's DTS X soundtrack worked well for the story at hand. The audio tended to be somewhat restrained most of the time, but some sequences – such as those at bars or on the street – opened up the spectrum in a satisfying manner. Some rain added atmosphere, and other effects added a good sense of ambience.

Audio quality was perfectly acceptable. Speech showed nice clarity and naturalism, and music was reasonably distinctive and dynamic.

Effects lacked much to stand out, but they appeared accurate, and they showed mild punch when necessary. All of this seemed good enough for a “B-“.

How did the 4K UHD compare to the movie's Blu-ray version? Though the UHD went with DTS X instead of DTS-HD MA 5.1, the film's less than expansive soundscape meant the two felt pretty similar.

As for visuals, the UHD gave colors a minor boost and some scenes felt a little sharper. However, the image's weaknesses meant I found it difficult to see this as an actual upgrade.

The 4K UHD includes both the film’s theatrical version (2:05:12) and an unrated cut (2:08:31). The extra three minutes, 41 seconds mainly pad out the sex scenes.

"Unrated" does provide an alternate ending. In truth, this is more of an “extended ending”, as the unrated version simply keeps going past the theatrical edition’s last shot.

It’s an odd sequence, as it doesn’t change anything, really – it just shows that Christian and Ana continue to think about each other. It adds nothing to the experience and feels pretty pointless.

No extras appear on the 4K UHD disc but the included Blu-ray copy comes with asome components and these start with The World of Fifty Shades of Grey. It comes with three parts: “Christian Grey”, “Ana” and “Friends and Family”.

Each of those split into additional subsections. All together, these total 44 minutes, 42 seconds of footage.

Along the way, we hear from director Sam Taylor-Johnson, set decorator Sandy Wasco, production designer David Wasco, costume designer Mark Bridges, executive producer Marcus Viscidi, producer Dana Brunetti, property master Dan Sissons, and actors Jamie Dornan, Marcia Gay Harden, Dakota Johnson, Victor Rasuk, Jennifer Ehle, Eloise Mumford, Luke Grimes, Max Martini, and Rita Ora.

Across the various areas, we learn about story/character areas, cast and performances, sets and locations, costumes, cars and production design, and related topics. When the clips look at cast and characters, they seem fairly bland.

A few decent details emerge but not enough to sustain interest. However, the pieces about sets/production design/costumes seem pretty satisfying, so they redeem this collection.

By the way, “World” can be a chore to navigate because it lacks a “Play All” option. This means we head back to the menu much more often than should be the case.

With the 19-minute, 28-second Behind the Shades, we hear from Brunetti, Viscidi, Taylor-Johnson, Ora, Johnson, Dornan, Mumford, David Wasco, Sandy Wasco, Bridges, Rasuk, and author/producer EL James. We learn about the source work and its adaptation for the screen, how Taylor-Johnson came to the project and her approach, sets and locations, costumes, photography, and aspects of the shoot.

“Behind” extends the topics covered in “World” in a fairly satisfying manner. Like that compilation, “Behind” sags at times, but it still comes with enough good information to become a useful featurette.

Next comes EL James and Fifty Shades. It lasts five minutes, 45 seconds and features info from the author as she discusses how she decided to write Shades and various elements connected to it. Despite this piece’s brevity, it offers a nice little overview of James’ work.

Fifty Shades: The Pleasure of Pain goes for eight minutes, 42 seconds and offers details from Taylor-Johnson, Ora, Harden, Sissons, Dornan, Johnson and BDSM technical consultant Liam Helmer. We learn of the movie’s BDSM components and how it depicts them. This proves to be a reasonably interesting take on the subject matter.

Christian’s Apartment brings us a “360-degree set tour”. This lets us see close-ups of a variety of elements featured in the aforementioned location. Big fans might enjoy it but it does little for me.

Under Music Videos, we find two clips: “I Know You” by Skylar Grey and “Earned It (Fifty Shades of Grey)” by the Weekend. “I Know You” is an okay ballad but the video annoys, as it’s a simple lip-synch performance rendered unwatchable due to a camera that never stops circling its subjects.

“Earned It” offers a forgettable R&B ballad. However, since it comes with a mix of attractive largely-unclad women, it’s a more interesting video.

We also get a behind the scenes featurette for “Earned It”. This piece runs four minutes, 49 seconds and becomes a rudimentary look at the creation of the video.

The disc opens with ads for Satisfaction, The Gunman, The Boy Next Door, The Loft, Seventh Son, Unbroken, Heroes Reborn and Map to the Stars. No trailer for Shades appears here, but we do get a 29-second tease for the film’s sequel, Fifty Shades Darker.

Going into Fifty Shades of Grey, viewers expected a mildly kinky sex-based romance. Instead, they found a slow, dull snoozer with nothing erotic or interesting on display. The 4K UHD provides decent but inconsistent picture and appropriate audio as well as an erratic but reasonably informative set of supplements. Shades can’t live up to its hype.

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