The Green Mile appears in its original theatrical aspect ratio of approximately 1.85:1 on this Blu-ray Disc. The movie came with a surprisingly flat transfer.
Sharpness became the biggest problem. Close-ups and most two-shots tended to demonstrate good definition, but wider elements worked less well. Those often came across as rather soft and fuzzy, a factor that some mild edge haloes exacerbated. While the image wasn’t tremendously ill-defined, it definitely lacked the detail I expect from Blu-ray. No issues with jagged edges or shimmering occurred, and print flaws remained minimal. I saw a handful of small specks but nothing more.
The movie stuck to a fairly subdued palette and generally presented a golden tone that imbued a vaguely "period" look to the piece. In any case, colors appeared accurate and solid with no issues related to them. Black levels seemed nicely deep and dark but not muddy, and shadow detail looked appropriately heavy but not overly opaque. The softness and occasional source defects made this one a “C”-level disappointment.
I felt more pleased with the film's Dolby TrueHD 5.1 soundtrack. Mile wasn't exactly an audio extravaganza, but the mix worked nicely to bolster the action onscreen. The soundfield appeared well-localized overall. Dialogue stuck pretty closely to the center, but effects popped up in their correct spatial zones, and the music spread smoothly to all the channels.
The best moments clearly occurred when the track moves into a more active realm, generally during the execution scenes, which featured some very good use of all five speakers. However, even during the many quieter moments, the audio surrounded me nicely with a realistic environment.
Sound quality seemed consistently solid. Dialogue always appeared warm and natural with no intelligibility issues. Effects were clear and realistic, and music seemed bright and bold. Both of the latter aspects also featured some very strong bass at appropriate moments. The soundtrack to Mile did what it needs to do and did it well. As with the picture, it may not be the piece you'll use to show off your system, but it's very well done.
How did the picture and audio of this Blu-ray compare to those of the 2006 Special Edition DVD? Audio remained about the same. Both films demonstrated good soundtracks; neither excelled, but they seemed similar.
While the Blu-ray looked a little better than the DVD, the improvements weren’t remarkable. For a standard-def DVD, the 2006 release offered very nice visuals, and the Blu-ray’s issues with softness meant that it didn’t do much to surpass its predecessor. The best-looking parts of the Blu-ray definitely outdid the DVD, but it suffered from too many problems to become a clear improvement.
The Blu-ray replicates the supplements from the prior SE. We get an audio commentary with director Frank Darabont. He offers a running, screen-specific chat. Darabont discusses how he came onto the project, story, script and adaptation issues, cast and crew, camerawork and design choices, sets and locations, music and song selections, working with animals, effects and technical elements, costumes, and other aspects of the production. Along with all the details, we find some fun bits such as a reference to Darabont’s location scout encounter with John Frankenheimer and the use of the “Coffey Highway” to make Michael Clarke Duncan look even taller than his actual 6-5.
Darabont proves remarkably lively and chatty as he almost never comes up for air. He also makes this an inclusive piece. Along the way, Darabont introduces us to the folks who recorded and produced the commentary, and he lets us know their tasks. He also calls makeup effects artist Greg Nicotero to get some info about that side of things, and toward the end, he checks in with both DVD producer Constantine Nasr and editor Richard Francis-Bruce. Darabont manages to fill all three hours of Mile with consistently useful and entertaining elements. This turns into a terrific track.
We also locate two Deleted Scenes. We find “Bitterbuck’s Family Says Goodbye” (1:03) and “Coffey’s Prayer” (2:33). Don’t expect much from “Family”, as it offers only a short silent snippet, whereas “Prayer” gives us a little more of John prior to his execution and is moderately interesting.
We can view these with or without commentary from Darabont. He tells us a few notes about the scenes as well as why he cut them. Though he touches on these issues in his main commentary, he throws out a few more specifics here.
Test material comes next. The disc presents both Michael Clarke Duncan’s Screen Test (8:21) and Tom Hanks’ Makeup Tests (5:26). The former lets us see how Duncan got the role, while the latter shows attempts to make Hanks into “Old Paul”. Both are good additions to the set.
In addition to two trailers for Mile, we discover a featurette. The Teaser Trailer: A Case Study runs six minutes, 44 seconds and includes notes from Darabont, producer David Valdes, and storyboard artist Bill Sienkiewicz. We learn about an unused trailer created for the film and find out why they abandoned it. We also see the rejected ad at the end of this funny and informative clip.
Next comes Walking the Mile: The Making of The Green Mile, a 25-minute and 30-second featurette. It mixes shots from the set, and interviews. We hear from Darabont, Valdes, author Stephen King, mouse stunt coordinator Boone Narr, visual effects supervisor Charles Gibson, and actors Michael Jeter, Tom Hanks, James Cromwell, Gary Sinise, Bonnie Hunt, David Morse, Doug Hutchison, Michael Clarke Duncan, Jeffrey DeMunn, Barry Pepper, William Sadler and Sam Rockwell. “Walking” examines Darabont’s interest in the project and facets of the original novel, cast, performances and their interactions, Darabont’s work with his actors, set design, creating the Mr. Jingles scenes, and memorable moments.
“Walking” doesn’t shed a tremendous amount of light on the production, but it’s better than average for a program of its ilk. I can’t say I expect much from this kind of promotional piece, and “Walking” indeed seems rather puffy at times. That said, it gives us a decent look at the production and keeps us interested.
Finally, we get Miracles and Mystery: Creating The Green Mile. This six-part documentary lasts one-hour, 42-minutes and 54-seconds as it features notes from Darabont, Hanks, King, Duncan, Rockwell, Pepper, Morse, DeMunn, Valdes, Hunt, Jeter, Hutchison, Cromwell, Gibson, Narr, novelist and critic Kim Newman, Creepshows: The Illustrated Stephen King Movie Guide author Stephen Jones, artist Berni Wrightson, novelist Peter Straub, author/screenwriter David J. Schow, filmmaker Lawrence Kasdan, writer William Goldman, acting coach Larry Moss, production designer Terence Marsh, director of photography David Tattersall, costume designer Karyn Wagner, special makeup effects supervisor Greg Nicotero, special effects coordinator Darrell Pritchett, mouse trainer Michelle Suffredini and actors Dabbs Greer, Brent Briscoe and Patricia Clarkson.
“Miracles” starts with a look at Stephen King and his work over the years as well as the development of Mile as a text. From there we go to Darabont’s interest in Mile and the adaptation of the story, casting and performances, and the atmosphere on the set. For the last few sections, we dig into set and costume design, locations and cinematography, various forms of effects, and executing the Mr. Jingles scenes.
The greatest problem with “Miracles” isn’t the fault of those who made it. The show becomes redundant on more than a few occasions simply because Darabont covered so much of the same territory in his commentary. He explores many of the same issues, so inevitably “Miracles” gets repetitive at times.
However, I can’t blame the folks who made “Miracles” for that, as the documentary’s redundant elements are necessary to tell the story of the film’s creation. It’s not like they can dig into the production and omit the basics, so I won’t gripe about the repetition.
Ignoring that issue, “Miracles” presents a very good documentary. Unsurprisingly, the moments that don’t come from Darabont prove most interesting since they’re the freshest. I particularly like the notes from Duncan and his acting coach about how they accessed the Coffey character, and the footage from the cast’s table read is also a lot of fun. The actors add a lot to the section about their performances, as they toss out many good notes. We also find intriguing details about the “green mile” floor itself, locations, and other useful production bits. “Miracles” stands as a solid little examination of the flick.
Only one Blu-ray exclusive appears here: a hardcover book. This comes as part of the package; open up the disc’s casing and the book appears on the left half. It features a mix of components. It looks at the Darabont/King collaboration, cast and crew, trivia and characters. The book adds a nice touch of class to the set.