When I first saw 1990’s Gremlins 2: The New Batch during its theatrical run, it struck me as uninspired. For most folks, the most memorable parts of the original Gremlins revolved around the wacky antics of the title creatures. They raised havoc in so many wild and inventive ways that they stole the show.

To my eyes, it seemed that the filmmakers decided to give the people what they wanted. Batch largely disposed of plot and essentially packed in as many gremlin-related sight gags as possible within its 106 minute running time. I felt this was cynical and lazy; rather than bother with character development and a true storyline, they took the apparently easy way out and just poured on the goofiness.

Upon further screenings, however, I started to realize that I was wrong. The first film dealt with all the necessary exposition, so the second became free to simply go nuts. After all, the best parts of Gremlins featured the title creatures on the rampage, so why not accentuate those moments for the sequel? That’s what they did, and Gremlins 2 presents this material in a consistently lively and inventive manner.

Admittedly, some plot appears. Billy (Zach Galligan) and Kate (Phoebe Cates) became sweethearts by the end of the first film, and for the sequel, we find them as a full-fledged couple. They’ve moved from quiet Kingston Falls to Manhattan, where they share an apartment and work at Clamp Centre, a mega-building in midtown. Billy has a job as a designer, while Kate functions as a tour guide.

All’s reasonably well, but that changes after cuddly Gizmo (voiced by Howie Mandel) loses his home. His caretaker Mr. Wing (Keye Luke) dies, and the Clamp corporation demolishes his residence.

This sends Giz into the mean streets of New York, where some genetic researchers capture him. By an amazing coincidence, they work in the Clamp Centre, and that’s where they take Gizmo. Eventually he escapes and manages to run into Billy.

Due to a malfunctioning water fountain, Gizmo gets wet, and fans of the first film know where this will lead. Giz reproduces, and just like in the original flick, his “offspring” aren’t as cheerful and gentle as he. They’re out to cause trouble, and those problems ensue pretty rapidly, especially after they metamorphose into gremlins.

Gremlins 2 expands its character base more substantially than the first, as a number of other participants get involved with the fight against the critters. In addition to Billy and Kate, these include horror movie host Grandpa Fred (Robert Prosky), building security chief Forster (Robert Picardo), Billy’s supervisor Marla (Haviland Morris) and big boss Daniel Clamp himself (John Glover).

The gremlins themselves show greater breadth as well. In the first film, most of them seemed fairly static; Stripe was the leader, but otherwise most of them appeared pretty similar. The new batch includes a variety of personalities, and the genetic research lab creates a mix of mutated gremlins. Most prominent is the “brain” gremlin, the first of the breed to actually speak (voiced by Tony Randall).

Gremlins 2 seems both more complicated and less complicated than the original. It includes more prominent characters and actually presents a more convoluted set-up; it sure did take me a while to explain that non-existent plot, didn’t it?

However, the original film followed a more concrete structure and tried harder to develop the human characters as real people. Gremlins 2 totally tosses all of that out of the window in favor of cartoony situations and mayhem.

And more power to it! Gremlins 2 makes no attempts to live within the real world, and the film prospers due to that attitude. It’s a genuinely anarchic affair in which anything can - and will - happen.

Director Joe Dante apparently had much more creative control over the sequel, and he just went wild. While this means parts of the film seem self-indulgent, Dante’s instincts succeed most of the time. The flick offers a lot of vividly creative moments and packs in tons of great gags.

Unlike the first film, this time some of the humans actually manage to make an impact. Glover is a delight as Clamp. A combination of Donald Trump and Ted Turner, most actors would have played Clamp as a nasty villain, but Glover gives the role an innocent and child-like turn that makes him seem surprisingly endearing. He plays the mogul as a five-year-old, and it’s an unexpected twist that works well.

Unfortunately, Galligan seems as bland as ever. At least Cates gets some good comic material, and she does nicely with it. She looks cuter than ever, too, and makes more of an impact here than in the first flick.

Gremlins 2: The New Batch suffers from a lot of detractors who see it as nothing more than a lame rehash of the first film. While it indeed does reuse many of the original’s themes and action, it definitely isn’t lame. Gremlins 2 takes off on a flight of fancy that make it an inventive and creative piece of work. The film seems even more lively and entertaining than the first movie, and that’s no small feat.

Gremlins 2: The New Batch appears in an aspect ratio of approximately 1.85:1 on this Blu-ray Disc. The image showed its age but looked pretty good nonetheless.

Sharpness seemed mostly solid. A few slightly soft shots appeared, partially influenced by the era’s less than dynamic film stocks. Nonetheless, definition mostly remained positive, if not impressive.

Jagged edges and moiré effects created no concerns, and I noticed no signs of edge enhancement. With a natural layer of grain, I didn’t suspect any digital noise reduction techniques. As for print flaws, I witnessed none, as this was a clean image.

Colors remained fine. The movie featured a fairly vivid and lively palette, and the disc replicated the tones with fairly nice fidelity and accuracy. Once again, the film stocks could make the hues a little lackluster, but they usually showed nice vivacity. Black levels also seemed deep and rich, while shadow detail was clear and appropriately dense. In the end, Gremlins 2 presented a positive visual experience.

I also liked the DTS-HD MA 5.1 soundtrack of Gremlins 2. The soundfield presented a lively and engaging environment that worked well for this sort of cartoony flick. The forward spectrum demonstrated nice stereo imaging for the music, while effects came across as accurately placed and well integrated.

The rear speakers added positive reinforcement, especially as the action intensified. Gremlins-involved sequences seemed active and the film offered a solid sense of atmosphere. The forward channels dominated, but the surrounds added a lot to the experience.

Audio quality appeared a little bit dated but held up well. Speech seemed natural and crisp, and dialogue showed no signs of edginess or problems related to intelligibility. The score came across as nicely robust and vibrant and seemed to reproduce the music distinctively.

Effects appeared accurate and clear, without any significant distortion. Bass response presented some nice boom to the louder elements and generally appeared reasonably rich and deep. Gremlins 2 didn’t hold up to more recent soundtracks, but it still offered a fairly solid piece of work.

How does the Blu-ray compare to the original DVD from 2002? Audio showed a bit more pep and range, while visuals were tighter and clearer. Though dated, the Blu-ray provided a good upgrade over the DVD.

The Blu-ray duplicates most of the DVD’s extras, and we open with an audio commentary with director Joe Dante, producer Michael Finnell, actor Zach Galligan, and writer Charlie Haas. All four men were recorded together for this running, screen-specific track.

As with the other three Dante commentaries I’ve screened, the director dominates the proceedings. However, this one seems less lively and compelling compared to the others. The participants do provide a reasonable amount of information, as they cover a number of topics related to the production and the genesis of the sequel; Dante got quite a lot of freedom for the creation of this piece.

Empty spaces always caused some problems with the other Dante tracks, and they seem more prevalent than usual here. Perhaps the director felt worn out by the time he got to Gremlins 2. Don’t get me wrong: I enjoyed the commentary and thought it offered enough good information to merit a listen. It simply wasn’t as strong as the others, and it suffered from more weak spots than usual.

Next we find a nice collection of Outtakes. Formerly called “Additional Scenes”, we find a whopping 29 bits of film that run a total of 21 minutes, 41 seconds.

The program includes a lot of interesting material. It starts with an alternate animated Bugs Bunny/Daffy Duck opening and also contains a lot more scenes with Robert Picardo. Some funny gags - like one that refers to a musical about Stalin - pop up, and I also like the bit in which Grandpa Fred first meets the gremlins. Other than the absurdly long gremlin death scene, this area offers solid snippets. I can’t say most - or many - of them belonged in the film, but they’re very entertaining to see.

The additional scenes can be viewed with or without commentary from the same crew who appeared in the main track. Not surprisingly, Dante dominates, and he lets us know why the material failed to make the final cut. We also get some fun stories along the way and hear some nice information.

With The Making of Gremlins 2: The New Batch, a five-minute, 49-second piece posits the notion that the gremlins control the movie set. We see contrived behind the scenes shots and hear from director Joe Dante, producer Mike Finnell, and actors Zach Galligan, Phoebe Cates, John Glover, Dick Miller, Christopher Lee, Robert Prosky, Robert Picardo, Gizmo, and Haviland Morris as they discuss the atmosphere on the set. It’s a cute concept but it goes nowhere and offers virtually no information about the production; essentially it’s just a long teaser for the movie.

Much of the Gag Reel consists of the usual goofed lines and laughing. However, the five-minute, 57-second clip includes some more interesting material. Most compelling is the on-going saga that involves a gremlin who tries to coax a terrified monkey out of his cage.

In addition to the film’s trailer, we see an Alternate Home Video Sequence (2:32). This offers a different version of the scene in which the gremlins take over a movie theater. For the videotape release of the movie, they created a segment that seemed more appropriate for that medium. It’s a fun addition to the disc.

Though many seem to disagree, I still think that Gremlins 2: The New Batch is a winner. The movie offers a witty and worthy sequel to the original and manages to be even more fun than that flick. The Blu-ray provides generally good picture and audio as well as a decent set of supplements. Gremlins 2 remains a lively, amusing adventure.

To rate this film, visit the DVD review of GREMLINS 2