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COLUMBIA TRISTAR

MOVIE INFO

Director:
J. Lee Thompson
Cast:
Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, James Darren, Irene Papas, Gia Scala, James Robertson Justice, Richard Harris
Writing Credits:
Alistair MacLean (novel), Carl Foreman

Synopsis:
A specialized commando team is organized in 1943, during WWII, to sabotage and put out of commission the Axis firepower on the mountainous Greek island of Navarone in the Aegean Sea.

Box Office:
Budget
$6 million.

MPAA:
Rated PG

DVD DETAILS
Presentation:
Widescreen 2.35:1/16x9
Audio:
English Dolby Digital 5.1
English DTS 5.1
Subtitles:
English
French
Spanish
Portuguese
Chinese
Japanese
Thai
Korean
Closed-captioned

Runtime: 156 min.
Price: $26.96
Release Date: 10/26/2004

Bonus:
• None


PURCHASE @ AMAZON.COM

EQUIPMENT
Sony 36" WEGA KV-36FS12 Monitor; Sony DA333ES Processor/Receiver; Panasonic CV-50 DVD Player using component outputs; Michael Green Revolution Cinema 6i Speakers (all five); Sony SA-WM40 Subwoofer.

RELATED REVIEWS


The Guns Of Navarone: Superbit (1961)

Reviewed by Colin Jacobson (October 27, 2004)

Folks these days often don't have the tolerance for slower-paced films, and that would seem to affect action movies most of all. Those pictures depend on excitement and thrills to make them appealing. If the pacing appears slow by current standards, they may fall flat.

Such a possibility occurs with 1961's The Guns of Navarone, but I didn't think it was a problem. Some may find that the movie doesn't contain enough action and that it moves too slowly, but I don't agree. I found it to be a surprisingly exciting and effective little thriller.

The story takes place during World War II as an undercover team of Allied agents attempts to sneak into a seemingly-impenetrable Nazi fortress and destroy two powerful guns that prevent an Allied sea invasion. Along the way, the usual difficulties occur as our heroes attempt to destroy the guns and indirectly rescue the 2000 captured soldiers held by the Nazis.

Guns works well because it takes the subject matter seriously and doesn't attempt any form of cuteness. I can't say the movie is perfectly realistic, but it does seem to treat its characters more like humans than as "action heroes", and the film proceeds in fairly logical and sensible ways. Perhaps the most significant lapse into movie mush comes during a scene when the protagonists are in a Greek village and attempting to evade the Nazis by blending in with the residents. They end up in a situation where a party is happening, and a group song is being sung. Since one of the stars was teen idol James Darren, of course he has to lead a verse or two of the number. This section lasts too long and almost brings the film to a halt.

However, that experience was an exception for Guns, as most of it moves at a fairly snappy pace. The film boasts a strong cast, with Gregory Peck in the lead role as stolid Captain Mallory. He brings a nice gravity to the role that makes him believable both as a leader and as an action star. Also good are David Niven as plucky demolitions expert Miller and Anthony Quinn as the wily Colonel Stavros. I must acknowledge that I preferred the interpretations of Mallory and Miller done by Robert Shaw and Edward Fox, respectively, in 1977's semi-sequel, Force 10 From Navarone, but that doesn't mean the actors here aren't also fine. This is a classy cast that helps make the film more enjoyable.

Those looking for a movie with hyper-editing and slam-bang thrills probably won't enjoy The Guns of Navarone, but I thought it provided enough excitement and action to make it a fine movie. To be honest, I do prefer Force 10 to this original, but both are good films that provide a lot of fun.


The DVD Grades: Picture C-/ Audio B+/ Bonus F

The Guns of Navarone appears in an aspect ratio of approximately 2.35:1 on this single-sided, double-layered DVD; the widescreen image has been enhanced for 16X9 televisions. Time has not been kind to this film, for while some aspects of it looked fine, much of it appeared weaker than it should.

Sharpness seemed inconsistent but was generally pretty good. Most of the movie appeared clear and well-defined. Softness interfered with the image at times, however, and left parts of it less than concise. Moiré effects and jagged edges occurred infrequently, but edge enhancement was a definite concern. Fairly prominent haloes popped up throughout the movie and created distractions.

The print itself varied. It seemed pretty grainy at times, and not just because of the use of rear projection techniques, which add a generation of film to the mix. Many shows looked grainy, and I also noticed occasional examples of marks, specks, grit, and other blemishes. The image didn’t seem overwhelmingly dirty for a film of this one’s age, but it showed more concerns than I’d like.

The movie’s worst problems stemmed from the fading that affected the colors. In that regard, the print fared poorly, as the hues of Guns seemed very wan and pale. Colors that should appear bright and bold were mediocre at best, and less powerful hues came across as very flat.

I considered the possibility that the movie was supposed to look this way, as some films do intentionally utilize very limited palettes. While I can't state with certainty that this wasn't the case, I got the impression that the lack of color related more to the flaws of the print than to any form of purposeful cinematography. The movie betrayed a drabness that often sucked the life out of it.

Black levels had some problems as well. For the most part, they looked decently dark, but they usually lacked richness and seemed a bit bland. Shadow detail tended to appear overly thick and heavy, although much of that resulted from the frequent use of "day for night" photography. That technique often makes the overall picture seem much darker than it should, which was the case here. I found Guns to remain watchable, and at times it looked fairly good, but the poor colors really hurt it in the long run, as they created a dull appearance that infects every aspect of the movie.

Much better were the film's surprisingly strong Dolby Digital 5.1 and DTS 5.1 soundtrack. I heard little to differentiate the pair. Actually, in this case, the Dolby mix came across as a little livelier, but across the board, the two tracks sounded very similar.

The mixes presented a broad soundfield, especially in the forward channels. Separation between channels seemed fine, with audio that was well-placed and discrete. I heard good blending between speakers as well. The rear speakers added a nice punch to the package. The surrounds tended to mainly bolster the sound from the front speakers, but they did so effectively and provided a nicely spatial sense that made the entire track very involving. A few livelier scenes added to the package as well, such as the ones set at sea.

The quality of the audio betrayed a thin timbre typical of films from the era, but it still seemed pleasantly robust. Dialogue sounded relatively warm and natural, and I had no trouble with intelligibility. Only a smidgen of edginess crept into the presentation. Music worked best of all, as it appeared clear and smooth, with no signs of shrillness. I could have used some more low-end from the score, but it still came across as well-recorded and bright. Effects sounded slightly thin but were adequately realistic and even dropped some good bass at times. There were occasions when the effects shook up the action in a positive manner. A slight amount of distortion affected the explosions and gunfire at times, but this seemed extremely minor considering the age of the material and the prevalence of loud noises. All in all, the 5.1 mixes fared nicely.

How did the picture and audio of the Superbit Guns compare to those found on the prior DVD? Across the board, all elements seemed identical. The earlier disc already included the same good Dolby Digital mix heard here, and its transfer suffered from the same set of problems that marred this DVD’s image. The Superbit comes with no extras, which means it loses the pretty decent set of supplements that appeared on the special edition.

That transfer is what made it impossible for the Superbit release substantially outdo the earlier package. Without a new transfer, there’s only so much that extra bit space can do. With a reworked visual presentation, the Superbit Guns of Navarone remains a flawed piece. Stick with the prior special edition of the film, as I can see - and hear - no reason to pick the Superbit instead.

Viewer Film Ratings: 4.7272 Stars Number of Votes: 11
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