Halloween appears in an aspect ratio of approximately 2.35:1 on this single-sided, double-layered DVD; the image has been enhanced for 16X9 televisions. The movie featured a good but not great transfer.
For the most part, sharpness looked solid. Some shots suffered from a little edge enhancement, and those haloes could make matters a bit soft. However, this wasn’t a consistent concern, and the image usually seemed crisp and detailed. No issues with jagged edges or shimmering materialized, and only a speck or two cropped up in terms of source flaws. The movie almost always seemed clean.
In terms of colors, Halloween usually went with an autumnal palette. This meant the hues were subdued but warm within their constraints. I thought the tones appeared well-reproduced. Blacks were deep and tight, but shadows tended to be a bit lackluster. Though most low-light shots offered good delineation, a few became a little murky. Overall, the image seemed more than acceptable.
Similar thoughts greeted the pretty good Dolby Digital 5.1 soundtrack of Halloween. Most of the time, the soundfield emphasized ambience. The movie didn’t boast a lot of scenes that made great use of the various channels, but it managed to create a good sense of place and atmosphere. A few scenes broadened matters to a satisfying degree, and music always worked well. The score actually spread to the various speakers in a satisfying manner that made the music the most compelling aspect of the mix.
Audio quality was perfectly acceptable. A little edginess occasionally crept into some speech, but the lines normally seemed natural and distinctive. Music was lively and bright, while effects sounded clear and accurate. Bass response was pretty solid as well. Nothing here really excelled, but the soundtrack was a positive one.
As we move to the extras, DVD One presents an audio commentary from writer/director Rob Zombie. He provides a running, screen-specific chat that looks at cast, characters and performances, story and adaptation issues, editing and changes made for the director’s cut, sets and locations, stunts, effects, music and a few other production topics.
I may not like his movie, but I like Zombie’s commentary quite a lot. He presents a consistently engaging and honest personality as he digs in his work. Zombie tends to be very screen-specific, meaning that he rarely deviates from subjects related directly to the action we see, but this never becomes a problem. He offers lots of great stories from the shoot and never simply narrates the movie. Zombie gives us a very good commentary.
Over on DVD Two, we find 17 Deleted Scenes plus an Alternate Ending. The Deleted Scenes fill a total of 21 minutes, 57 seconds, while the “Alternate Ending” goes for three minutes, 46 seconds. The Deleted Scenes include “Rabbit in Red” (2:16), “Quickdraw” (0:52), “End of a Long Night” (0:23), “Rainy Evening” (0:27), “Not a Monster” (0:36), “You Seem Sad Today” (1:45), “The Media” (0:51), “Xmas Gift” (0:24), “Parole Hearing” (3:36), “Night Shift” (2:48), “Very Young” (0:58), “He’s Out” (1:02), “Tombstone” (1:37), “Aftermath” (0:26), “Adoption Agency” (0:30), “Missing Stone” (2:23) and “Van Kill” (0:59). None of these are particularly interesting, though some do flesh out plot holes. “Parole” proves particularly useful in that regard. “Agency” isn’t very memorable for its content, but at least it gives us a cameo from Adrienne Barbeau.
As for the “Alternate Ending”, it seems decidedly less satisfying than the one in the released flick. It puts Michael’s death in the hands of the cops, which doesn’t make a ton of sense; he essentially surrenders but they unload scads of gunshots on him anyway. It also doesn’t work to leave the other leads as so passive. It’s not a good scene.
We can watch all of these with or without commentary from Zombie. He throws out some decent details, but after his interesting chat for the main movie, these remarks disappoint. Zombie gives us the basics and lets us know why he axed the shots, but he doesn’t tell us much else. The comments are decent but not particularly involving.
A collection of Bloopers fills 10 minutes, 16 seconds. Although these offer the usual goofs and giggles, they entertain more than most gag reels. That’s primarily due to Malcolm McDowell, as he offers lots of fun improv lines and other amusing bits. His moments with Brad Dourif prove especially entertaining.
Next comes a featurette called The Many Masks of Michael Myers. This six-minute and 27-second piece presents movie clips, shots from the set and interviews with Zombie, FX makeup artist Wayne Toth, editor Glenn Garland, costume designer Mary McLeod, production designer Anthony Tremblay, and actors Tyler Mane and Daeg Faerch. We learn a little about the performances as Michael and more about the different masks he wears in the film. Though somewhat insubstantial, the show includes a few good details such as the origin of young Michael’s clown mask. It’s a short but decent piece.
For the 19-minute and three-second Re-Imagining Halloween, we hear from Zombie, Garland, Tremblay, Toth, McLeod, director of photography Phil Parmet, producer Andy Gould, and prop master John Brunot. The program examines the adaptation of the original film and Zombie’s take on the material, cinematographic styles and visual elements, set design, props, costumes and makeup effects.
“Re-Imagining” doesn’t provide much of a general “making of” program, but it helps flesh out some areas. The discussion of production design proves particularly intriguing. Along with some good glimpses of the shoot, this show becomes satisfying.
Meet the Cast lasts 18 minutes, 17 seconds and includes Zombie, Gould, Faerch, Mane, and actors Malcolm McDowell, Sheri Moon Zombie, Scout Taylor-Compton, Danielle Harris, Brad Dourif, Kristina Klebe, Dee Wallace, Lew Temple, Sid Haig, and Danny Trejo. We learn why Zombie chose the various actors and also get some insights into their performances. Along with this, we inevitably hear a moderate amount of happy talk, but enough substance comes along for the ride to make the program worthwhile.
Next we go to Casting Sessions. The 29-minute and 52-second collection offers test readings from Faerch, Taylor-Compton, Harris, Klebe, Hanna Hall, Adam Weisman, Skyler Gisondo, Jenny Stewart, Daryl Sabara, Pat Skipper, Clint Howard, Nick Mennell, Max Van Ville, Mel Fair and Courtney Gains. The most interesting come from a few that include scenes not found in the final flick. We also see some actors try out for roles they didn’t get, and it’s fun to view they’re takes on the parts. We find a lot of good material here.
In a separate area, we find a Scout Taylor-Compton Screen Test for the role of “Laurie Strode”. The seven-minute and 47-second clip may sound like it’ll be redundant since we already see Taylor-Compton’s audition in the prior section, but this one appears to come from a callback session. It shows Taylor-Compton in a more elaborate setting as she works through a few scenes with ger teen friends. It’s another good addition to the package.
In addition to the film’s theatrical trailer, we get some Sneak Peeks. We find ads for Death Proof, Planet Terror, The Furnace and 1408.
Since I’ve enjoyed other remakes of horror classics, I thought the 2007 Halloween could’ve been good. However, the movie totally discards everything that made the original so enjoyable and just becomes a tedious mess. The DVD presents generally positive picture and audio along with some nice extras highlighted by a very good audio commentary. This ends up as a strong release for a weak movie.