Hotel for Dogs appears in an aspect ratio of approximately 1.85:1 on this Blu-ray Disc. Hotel came with a perfectly acceptable transfer.
Sharpness usually appeared acceptably accurate and detailed. At times, however, I found the image to come across as a little fuzzy and soft, with lesser definition seen in some of the wide shots. Nonetheless, most of the movie appeared clear and appropriately focused.
Moiré effects and jagged edges presented no concerns, and edge haloes failed to become an issue. No print flaws materialized; the film remained clean and fresh.
In terms of colors, the flick went with a fairly golden/amber set of tones. Within those parameters, the tones looked fine.
Blacks were dark and firm, while shadows appeared clear and well-developed. The image didn’t really excel, but it was good.
I didn’t expect much from the film’s Dolby TrueHD 5.1 soundtrack, but it turned out to be a bit more expansive than I anticipated. The soundfield opened up well, especially during a few louder scenes such as the thunderstorm that introduced us to the hotel.
Other segments brought out good involvement as well, so the soundscape contributed a nice sense of atmosphere. This didn’t become a stellar soundfield but it did more than I thought it would.
Audio quality satisfied. Speech was natural and crisp, without edginess or other issues.
Music showed nice range and delineation, and effects followed suit. Those elements displayed good accuracy as well as fine low-end when necessary. Overall, the soundtrack worked quite well for the film.
How did the Blu-ray compare to the DVD version? The BD’s lossless audio showed a similar soundfield to its lossy counterpart but it demonstrated improved sonics.
In terms of visuals, we got the usual format-based improvements, as the Blu-ray boasted superior definition, colors and blacks. While still not a great image, the Blu-ray offered a step up from the DVD.
Expect a reasonable roster of supplements here. These start with an audio commentary from director Thor Freudenthal, producer Ewan “Jack” Leslie and actors Emma Roberts and Jake T. Austin. All four sit together for a running, screen-specific discussion of cast and performances, sets and locations, effects and music, costumes and visual design, and working with dogs.
The adults offer the majority of the good information, and Freudenthal does most of the heavy lifting. The young actors occasionally give us some decent notes, but they usually just tell us what they like about the movie. Roberts also seems intent on blurting “oh my God!” as much as possible on a 100-minute period.
When the adults chat, though, they provide reasonably solid information. We get a nice mix of subjects here, and they manage to dig into the filmmaking areas well. Nothing terribly absorbing occurs, but the track entertains and informs to an acceptable degree,
Four featurettes follow. A Home for Everyone: The Making of Hotel for Dogs lasts 19 minutes, seven seconds and includes Roberts, Austin, Freudenthal, Leslie, producers Jason Clark, Jonathan Gordon, and Lauren Schuler Donner, 2nd unit director Greg Michael, executive producer Ivan Reitman, animal coordinator Mark Forbes, special effects supervisor Michael Lantieri, production designer William Sandell, novelist Lois Duncan, key grip Aubrey Husar, and actors Lisa Kudrow, Kevin Dillon, Kyla Pratt, Johnny Simmons, Troy Gentile and Don Cheadle.
The show looks at the novel and its adaptation, story and characters, cast and performances, working with the dogs, sets, production design and effects.
Like many programs of this sort, “Home” mixes promotional fluff and production insights. Neither mode really dominates here, so take the good with the ehh. We do learn enough about the flick to make “Home” watchable, though.
During the five-minute, 59-second That’s the Coolest Thing I’ve Ever Seen!, we hear from Freudenthal, Lantieri, Sandell, Reitman, Donner, Michael and sound designer Elliott Koretz.
This one looks at the various Rube Goldberg-style inventions featured in the film. The show looks at these in a fairly superficial way, but it gives us a few fun facts about them.
K-9 Casting goes for six minutes, 26 seconds and features Freudenthal, Leslie, Donner, Roberts, Forbes, Clark, and animal trainers Kristy Campbell and Steve Solomon. We learn a little about the dogs cast in the film and how the filmmakers got them to act.
As with “Coolest”, the program runs by too quickly to be terribly deep, but it covers its material in a generally satisfying way. It’s nice to learn a bit more about how pips can be trained to work in this way.
Finally, we move to the four-minute, 43-second Bark on Cue! featurette. It gives us notes from Koretz, Michael, and Leslie.
Here we learn about the auditory challenges that came with the movie – and all those dogs. This turns into a tight, informative little piece.
Eight Deleted Scenes fill a total of 10 minutes, 39 seconds. These include “At the Pawn Shop” (1:38), “Checks and Labor” (0:42), “Lois Singing” (0:47), “Photographic Memory” (1:22), “Sean and Jeanine” (3:01), “Vacation and Rescue” (1:22), “Theme Song” (1:01) and “Ruff, Ruff, Ruff” (0:46).
Most of these fall into the category of minor exposition and they spell out things that we don’t really need to know.
“Sean” is the most extensive but it wouldn’t have fit into the rest of the film well; it shows some prospective parents for the kids but makes them out to be loons. A couple of clips hint at tension between Lois and Carl, and I also think these were appropriate deletions.
Those characters work best when cartoony, so the added depth given to Lois doesn’t work. Really, I don’t think any of the scenes merited inclusion in the film, but they’re interesting to see.
In addition to the film’s trailer, we locate some Photo Galleries. These break down into “On-Set Action” (25 stills), “Puppy Love” (48) and “’Dog People’” (29).
“Action” and “People” seem pretty ordinary, but I like “Love” since it includes nothing but shots of adorable pooches.
Finally, the disc provides an ad for the Pedigree Adoption Drive.
My love of canines carried me through Hotel for Dogs, but that doesn’t make it a good movie. It keeps the pooch-obsessed entertained well enough for its 100 minutes, but I can’t imagine it’ll do much for others. The Blu-ray provides good picture and audio along with a pretty decent set of supplements. If you love dogs and have a high tolerance for goopy kiddie fare, give this one a look.
To rate this film, visit the prior review of HOTEL FOR DOGS
