Reviewed by Colin Jacobson (March 19, 2026)
When I wrote this in late January 2026, my area continued to deal with a brutal winter storm that closed schools for a week and left frozen patches everywhere. This meant it felt like the perfect time for me to watch 2025’s Icefall, a thriller that takes place in a frigid location.
Set in Montana, the mysterious Harlan (Joel Kinnaman) hides from his past and poaches to survive. Young game warden Ani (Cara Jade Myers) encounters him and arrests him when she discovers he totes around a bundle of cash.
It turns out this stash comes from a plane that crashed into a nearby lake. When the criminals who stole it arrive, Harlan and Ani need to fight to survive.
That plot doesn’t seem especially original but I don’t view its inherently generic vibe to become a fatal flaw. Plenty of films use well-worn narratives but still delight.
At no point does Icefall threaten to elevate its genre. Nonetheless, it becomes a more than serviceable action thriller.
Again, nothing here innovates. We get a largely predictable narrative with predictable characters and themes.
Over his 30-year career, director Stefan Ruzowitzky hasn’t managed to make a name for himself in the US outside of some music videos for ‘N Sync. Ruzowitzky snared a Best International Feature Oscar for 2007’s The Counterfeiters, however, and that offered a hint that he might enjoy more talent than I’d expect from someone at the helm of a pretty standard-issue action thriller.
As noted, Ruzowitzky doesn’t do anything to make Icefall above average. Nonetheless, he brings enough spark to the fairly trite story to make it interesting.
Icefall starts well, as it launches with a dark but thrilling heist. Ruzowitsky stages this in a dynamic way.
The film continues on a productive path when we move to Montana and meet the characters based there. Icefall brings good introductions and digs into the threat from the criminal crew with a bang.
After that, the film turns less compelling. Not that Icefall flops, but it sputters a bit as it gets more into drama and less into action.
Still, the flick keeps us with us, and the actors help. Kinnaman offers a subtle take on the man haunted by his past, and Myers makes Ani inexperienced but not incompetent.
I wish that the character drama fared better than it does, but those moments don’t actively harm Icefall. Though nothing here makes the movie great, it becomes a pretty satisfying violent action tale.