The Lost World appears in an aspect ratio of approximately 1.85:1 on this 4K UHD Disc. Though usually solid, the image showed a few inconsistencies.
Sharpness was good the majority of the time. While a few effects shots looked a little soft, the movie mostly demonstrated nice delineation and accuracy.
I noticed no issues with jagged edges or shimmering, but some light edge haloes crept into the mix at times. In addition, I saw a handful of print flaws like specks and spots. These remained infrequent but they could turn into an occasional distraction.
Colors appeared pleasing. Since the flick stayed jungle-bound much of the time, greens dominated, and they looked appropriately lush and full. Occasional other hues were also satisfying, and the 4K’s HDR made the tones vivid and full.
Blacks were deep and dark, while shadows showed nice clarity. With all those shady forest shots, that was important, so I was happy the low-light situations came across as well as they did. The sporadic concerns made this a “B” but I still liked the image most of the time.
Downconverted to DTS-HD MA 7.1, the film’s DTS-X soundtrack offers an involving affair that surrounds the viewer with audio at almost all times. Of course, the many action scenes provided the greatest amount of activity, but even quieter moments offered convincing ambiance. Audio always seemed precisely placed within the environment and the sounds moved smoothly between channels for a realistic image.
Sound quality seemed equally fine. Although much of it had to be dubbed, the dialogue always seemed natural and crisp, and it blended well with the rest of the track. I noted no problems with intelligibility and thought the speech was perfectly distinct and clear.
John Williams' score came across well, especially in the way he used drums. These sounded deep and rich as they pounded their way through the mix.
Effects were clean and bold, and they displayed no signs of distortion. The entire track packed a serious punch, and I experienced a high level of solid low-end. The bass featured in this mix seemed taut and powerful.
The "round-up" scene became a great one to demonstrate all of the track's strengths, as it combined all of the best parts of the mix in one space. Audio flew about the listener as the vehicles and dinosaurs careen around the screen, and all of the stomping and engines provided ample opportunity to show off the bass response.
However, this shouldn't be seen as the film's sole demo spot, as it's filled with killer moments. Any number of others - most of which involve the T-rexes - would work just as well. Put simply, The Lost World featured an excellent soundtrack that will put your system to the test.
How does this 4K UHD compare with the original Blu-ray from 2011? The DTS-X came across as a bit broader and more imagining, while visuals demonstrated superior accuracy and color reproduction, especially since HDR added a real boost. Despite some minor problems, the 4K UHD worked better than the Blu-ray.
No extras appear on the 4K UHD itself, but the included Blu-ray copy provided the same materials that we got from the 2011 set.
Two featurettes continue a program that started on the Jurassic Park Blu-ray.
These include Return to Jurassic Park: Finding the Lost World (27:40) and Return to Jurassic Park: Something Survive (16:30). Across these, we hear from director Steven Spielberg, executive producer Kathleen Kennedy, dinosaur motion supervisor Randal M. Dutra, production designer Rick Carter, effects supervisor/concept art director/designer/puppeteer Mark “Crash” McCreery, effects supervisor/puppeteer John Rosengrant, special dinosaur effects Michael Lantieri, full motion dinosaurs Dennis Muren, sound designer/re-recording mixer Gary Rydstrom, composer John Williams, and actors Jeff Goldblum, Peter Stormare, Ariana Richards, and Joseph Mazzello.
The two pieces look at the development of the flick and sequel-related challenges, aspects of the story and characters, cast and performances, cinematography, dinosaur design and various effects, sets and locations, shooting the film’s ending, music and audio.
As was the case with the “Return” programs on the Park Blu-ray, these lack a particularly coherent path and they can be a bit scattershot. It’s also a disappointment that so few of the actors appear her, as Park got a much more complete roster.
However, both shows are still quite informative and enjoyable. I like the modern day perspectives and find a lot of good material on display here. The two programs add to our understanding of the movie-making processes and deserve your time.
Created back in 1997, The Making of The Lost World runs 53 minutes, 14 seconds and features interviews with Spielberg, Goldblum, Carter, Lantieri, Kennedy, Dutra, Williams, author Michael Crichton, screenwriter David Koepp, producers Gerald Molen and Colin Wilson, live action dinosaur creator Stan Winston, director of photography Janusz Kaminski, visual effects producer Ned Gorman, digital model supervisor Paul Giacoppo, lead digital character animators Danny Gordon Taylor and Miguel A. Fuertes, visual effects art director George Hull, associate effects supervisor Rick Schulze, and actors Julianne Moore, Sir Richard Attenborough, Vince Vaughn, and Pete Postlethwait.
“Making” looks at the source novel and story/character topics, storyboards and planning, creature creation and various effects, sets and locations, cinematography and visual design, deleted/altered sequences, audio and music.
The best part of the show? Watching Goldblum pretend to be rammed by a raptor. Essentially he needs to repeatedly beat himself in the head with a wooden door, and for some sadistic reason, it's terrifically entertaining. I'd like a longer, more in-depth documentary about the movie, but I found this one to be quite satisfying nonetheless.
During the documentary, we get quick glimpses of two deleted scenes. These appear in their entirety elsewhere on the disc. One shows an InGen board meeting headed by Ludlow (3:07), while
the second introduces Tembo (4:00).
In the documentary we're told that these segments were cut because they were redundant, as the same information is effectively conveyed elsewhere in the movie. This is correct, and the Ludlow scene was a painless loss; I was happy to see it but the film doesn't miss it.
Tembo's segment is a little more complicated. Yes, the same main point that comes through can be obtained through other areas later in the film, but I rather enjoyed this clip.
It demonstrates just what a tough guy Tembo is, and it's pretty interesting. Would the movie be worse off with it back in the film? Nope - you can never get too much Postlethwaite!
Three snippets from the “Beyond Jurassic Park” DVD follow. First up is Original Featurette on the Making of the Film. This 13-minute and 17-second program offers the usual combination of movie clips, behind the scenes material, and quick interview tidbits.
We hear from Spielberg, Goldblum, Moore, Vaughn, Koepp, Carter, Kaminski, Lantieri, Muren, Hull, Postlethwaite, Gorman, Dutra, paleontologist Jack Horner and actors Sir Richard Attenborough and Vanessa Lee Chester.
Whew! That’s a lot of folks for a short program, so don’t expect much depth. In reality, this featurette follows the usual glorified trailer format, and the sound bites don’t tell us a whole lot, though they add some small bits of information.
However, a few of the shots from the set are pretty cool, especially the one in which we see Spielberg lead the actors through part of the “hanging from the RV” scene. Overall, this is a perfunctory but enjoyable program.
Next comes The Jurassic Park Phenomenon: A Discussion With Michael Crichton. Not surprisingly, this 15-minute and 27-second piece primarily offers information from the author.
We also see some movie clips and a few behind the scenes images, but the emphasis remains on his input. It’s a nicely informative and interesting chat that offers some good background and notes.
ILM and The Lost World: Before and After the Visual Effects echoes the similar piece offered for Jurassic Park. However, this one is much more extensive. It lasts 20 minutes, 44 seconds and goes with a split-screen presentation; the “before” shots appear on top and the finished product runs on the bottom.
This makes the piece even cooler than the earlier one, as we’re more easily able to compare the stages. It’s always a hoot to see the actors responding to nothing, and this is a very fun and valuable addition to the set.
Something unusual shows up under The Compie Dance Number: Thank You Steven Spielberg From ILM. Vaguely analogous to the “Thriller” clip on Final Fantasy: The Spirits Within, this one-minute, 38-second clip shows the little stars of Lost World as they tap-dance. It’s odd and cute and worth a look.
If you like stillframe materials, you'll enjoy the remainder of the disc, as most of the rest of the supplements come in that format. In Illustrations and Conceptual Drawing, we get 121 frames worth of artwork created to design the look of the film. We find some nice images there, and I found this section quite enjoyable. The pieces vary in complexity, but many of them are quite detailed and lavish - I'd love to own prints of a few.
Storyboards abound, as that section presents drawings for 12 different scenes. Each contains between six and 78 images for a total of 418 frames.
Frankly, I'm not much of a fan of storyboards, but a few of these are good just because they differ from the finished product. The last two presented scenes - "Omitted Air Attack" and "The Original Ending" - are easily the most interesting since they appeared nowhere in the final film.
Note that both feature a character almost unseen in World: the pteradon. We view this winged beastie in the very last shot of the film, but it makes no other appearances, although these deleted sequences show that Pterry was meant to play a bigger role.
The briefest section on the disc, Models offers only 11 frames of photos. These show the details of the Site B compound.
The World of Jurassic Park provides a much more extensive experience through its 122 images. It presents a mini-overview of the effects production, as it starts with shots of dinosaur drawings and maquettes and moves through the building of the Stan Winston puppets.
We also witness a few pictures of some of the movie's vehicles. It's a fun section for fans of effects as it gives us a nice picture of all the work that went into these critters.
The Magic of Industrial Light and Magic takes a similar approach during its 127 elements, except it focuses on the folks at ILM. As such, we see some different models but we also witness some short demonstrations of computer techniques plus additional art, such as a different form of storyboard. It's another interesting section for folks who like to get as much background information about filmmaking as possible.
In Production Photographs, we find 95 stills from the film's set. These include "behind the scenes" snaps of Spielberg and other filmmakers and cast plus publicity shots that come from the movie itself. The section provides some fun glimpses at the set.
Lots of supplemental sections provide examples of unused advertising concepts, but few do it in as much detail as this disc. Posters And Toys includes 167 frames of material, but a whopping 160 of those are devoted to the promotional pieces.
Boy, did they go through a lot of ideas! Please note that you won't find 160 distinct and different artwork ideas because many of them are very similar. However, I love the fact that we get all of them and there's so much detail to be found.
Too bad that didn't extend to the "toys" part of this area. Seven frames doesn't come close to covering the jillions of kiddie products that have appeared for both movies.
The Blu-ray finishes with the film’s theatrical trailer. I remain disappointed that the movie’s DTS-only teaser has never seen the light of day on DVD or Blu-ray.
Perhaps Universal hasn’t included it because it used special lighting effects in the theater, but I still think it’d be awesome to have. It provided some of the coolest surround sound I’ve heard and would love to be able to experience it again.
Slam The Lost World if you like, and call me an idiot - you won't be the first or the last. Nonetheless, I liked the film when I first saw it in 1997 and I continue to enjoy it. The movie is flawed but still a lot of fun, and it works well as pure action and excitement. The 4K UHD provides generally good picture, awesome audio and a nice collection of supplements. I wish Universal had put more care into this 4K, but it’s still the best version of the film on the market.
Note that as of June 2018, this 4K UHD version of Lost World can only be purchased via a four-movie package. The “Jurassic Park 25th Anniversary Collection” also includes 4K UHD versions of Jurassic Park, Jurassic Park III and Jurassic World.
To rate this film, visit the prior review of THE LOST WORLD