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Brian De Palma
Tom Cruise, Jon Voight, Emmanuelle Béart
Writing Credits:
David Koepp, Robert Towne

Under false suspicion of disloyalty, IMF Agent Ethan Hunt must discover and expose the real spy without the help of his organization.

Box Office:
$80 million.
Opening Weekend:
$45,436,830 on 3012 Screens.
Domestic Gross:

Rated PG-13.

Aspect Ratio: 2.35:1
English Dolby TrueHD 5.1
English Audio Description
French Dolby 5.1
German Dolby 5.1
Japanese Dolby 5.1
Supplements Subtitles:

Runtime: 110 min.
Price: $22.98
Release Date: 5/18/2021

• “Mission: Remarkable” Featurette
• “Explosive Exploits” Featurette
• “International Spy Museum” Featurette
• “Spies Among Us” Featurette
• “Catching the Train” Featurette
• “International Spy Museum” Featurette
• Agent Dossiers
• “Excellence in Film: Cruise” Featurette
• “Generation: Cruise” Featurette
• Trailers
• TV Spots
• Photo Gallery


-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Sony UBP-X800 4K Ultra HD Blu-ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


Mission: Impossible - 25th Anniversary Edition [Blu-Ray] (1996)

Reviewed by Colin Jacobson (May 17, 2021)

Because this represents my fifth review of 1996’s Mission: Impossible, I’ll forego my usual long-winded movie discussion. If you’d care to inspect those thoughts, please click here.

To summarize, Brian De Palma directs it with just enough flair and gusto to make it work, but he never quite brings out any true personality. Though the movie entertains and remains enjoyable, it simply lacks enough distinctiveness to become memorable. Later entries in the franchise better live up to its potential.

The Disc Grades: Picture B/ Audio B+/ Bonus C

Mission: Impossible appears in an aspect ratio of approximately 2.35:1 on this Blu-ray Disc. The image felt positive but it failed to excel.

For the most part, sharpness worked well, as the majority of the image seemed crisp and concise. However, some interiors could be a little iffy, as the movie occasionally felt slightly soft.

Jagged edges and shimmering created no problems, and with a natural sense of grain, I didn’t suspect any issues with noise reduction. In terms of print flaws, the film remained clean.

Colors seemed positive, as the movie offered a reasonably well-developed palette. It leaned a bit toward blue and red but it mustered a set of hues that came across well.

Blacks were deep and dense, while shadows tended to be acceptably smooth. Nothing here created a visual showcase, but I suspect the Blu-ray reproduced the source pretty accurately.

The film’s Dolby TrueHD 5.1 soundfield was nicely open and broad. Music showed excellent stereo imaging, while effects were well-placed and neatly integrated.

Elements moved smoothly and connected in a concise manner. Some directional dialogue opened things up a little more.

The surrounds contributed to the sense of atmosphere, though they didn’t get as great a workout as I expected. Nonetheless, they kicked into high gear for the action sequences, and the bullet train scene offered excellent material.

Audio quality was always positive. Music fared especially well, as the score sounded bright and dynamic.

Effects were concise and clean, with solid low-end response. Speech came across as accurate and crisp, with no edginess or other problems. This was a consistently satisfying soundtrack.

How did the 2021 “25th Anniversary” Blu-ray compare with the original BD from 2008? Audio showed the same scope but offered improved quality since the 2021’s TrueHD mix replaced the Blu-ray’s lossy track. Some will bemoan the absence of an Atmos remix, but since 5.1 reproduces the original audio, I’m fine with it.

The 2021 BD offered significant visual improvements. The earlier Blu-ray was a very lackluster product that showed few real strengths, so the 25th disc turned into a definite upgrade, with better definition, no print flaws/edge haloes and a more filmic feel.

2018 brought a 4K UHD version of the film, one that I suspect came from an older master. It looked decent but it lacked the excellence it could’ve boasted because it didn’t seem to come from a new transfer.

Normally I would vote for the 4K UHD as the pick, but the 2021 transfer made this Blu-ray the superior version. Even with the format’s inferior capabilities, the 2021 Blu-ray topped its higher resolution predecessor by a notch.

Though one should note that I think Impossible simply isn’t a movie that will ever excel on home video. It adopted a fairly dingy, gritty look much of the time, and these visual choices restricted the possibilities. The 2021 Blu-ray feels like the best rendition of the movie, but no one should expect dazzling results.

The 2021 release repeats the old Blu-ray’s extras, and these start with an 11-minute, 26-second featurette entitled Mission: Remarkable – 40 Years of Creating the Impossible. It brings comments from producer Paula Wagner, actor/producer Tom Cruise, screenwriter Robert Towne, directors Brian De Palma, John Woo and JJ Abrams, and actor Jon Voight.

They discuss the influence of the TV series on the first movie and connections between the two. We also hear about the film’s plot and story complications, finding its director and his impact, and locations. From there we get notes about the sequel’s story and director, and then we find some tidbits about the third film in the series.

Chalk up “Remarkable” as a disappointment. I hoped it’d be a full examination of all the different Impossible incarnations, but instead it simply offers minor information about the various movies. We learn very little in this glossy featurette.

Next we find Mission: Explosive Exploits. This five-minute, nine-second featurette includes notes from Wagner, Cruise, De Palma, stunt coordinator Greg Powell and actor Henry Czerny.

The show looks at two stunts in the first film. We get decent reflections on the challenges caused by these scenes, but don’t expect a lot of depth. Instead, we mostly find praise for Cruise.

In the six-minute, 31-second Mission: International Spy Museum, we hear from International Spy Museum executive director Peter Earnest.

He takes us on a tour of the establishment and tells us about various spy gadgets and techniques. This proves moderately engaging and likely will entice some folks to visit the museum in Washington DC.

Mission: Spies Among Us goes for eight minutes, 40 seconds. We discover statements from Earnest, CIA senior operations officer Chase Brandon, special intelligence operations expert Dr. Derrin Smith, Rand Corporation senior analyst Gregory Trevorton, US Army Special Forces MSG (Retired) Carl Donelson, and CIA former senior disguise specialist Robert Barron.

They discuss the reality of life as a spy. The program presents an interesting little primer about the various issues and concerns.

During Mission: Catching the Train, we hear from De Palma, Cruise, visual effects supervisor John Knoll and associate visual effects supervisor Joe Letteri.

The two-minute, 39-second program looks at the creation of the film’s climax. A few nice insights and behind the scenes bits appear, but the featurette’s brevity means it doesn’t shed a lot of light on the topic.

Seven Agent Dossiers appear. These offer biographies for seven of the movie’s characters. They add a fun note to the disc.

The next two pieces connect to the same event. Excellence in Film: Cruise is a nine-minute, 15-second compilation of clips from Cruise movie’s created to precede his receipt of an award. It doesn’t seem especially interesting.

For more praise of the actor, we get a three-minute, 36-second montage called Generation: Cruise. It serves the same purpose as the “Excellence in Film” collection and presents shots from the actor’s flicks. Yawn.

Two trailers appear, as we get both the teaser and theatrical promos for Impossible. In addition to nine TV Spots, we get trailers for the five Mission: Impossible sequels to date.

Finally, we find a lackluster 40 image Photo Gallery comprised mostly of publicity shots.

Although I enjoyed Mission: Impossible, I can’t say it made much of a mark on me. The movie packed enough action and drama to keep me interested, but it lacked a certain spark that would have made it more memorable. The Blu-ray Disc offers erratic but usually positive visuals along with pretty good audio and a superficial set of supplements. This seems like arguably the best version of the movie on the market, as it narrowly tops the 4K UHD.

To rate this film, visit the original review of MISSION: IMPOSSIBLE