Step Brothers appears in an aspect ratio of approximately 2.40:1 on this 4K UHD Disc. This became a pretty solid image.
Sharpness worked well. A smidgen of softness popped up in a few wide shots, but those instances remained minor, so the majority of the flick offered crisp, accurate visuals.
No issues with jagged edges or moiré effects occurred, and edge haloes failed to appear. Source flaws also remained absent.
Colors looked good. The image took on a golden tone much of the time, along with some of the expected teal.
However, the image stayed with a pretty natural impression and the hues seemed vivid and full. HDR added range and impact to the colors.
Blacks appeared dark and tight, while shadows showed nice delineation. HDR gave whites and contrast extra power. Across the board, this was a strong presentation.
Downconverted to Dolby TrueHD 7.1, I thought the Dolby Atmos soundtrack of Step Brothers was unexceptional, though it worked fine for this sort of film. Of course, I didn’t expect a dazzling soundfield from this sort of comedy, and I got exactly what I anticipated.
In terms of effects, general ambience ruled the day. Surround usage stayed limited, asthe back speakers fleshed out various settings and music but did little more than that.
In those forward channels, the music provided nice stereo separation and opened up the mix reasonably well. There wasn’t a whole lot of activity or movement, but the effects conveyed a passable sense of space and place. The track functioned appropriately for the story.
Audio quality appeared fine. Dialogue was consistently warm and natural, though I noticed a little edginess at times.
Effects were a minor component of the mix, and they seemed appropriately subdued and accurate. There wasn’t much to hear, but the various elements were clean and distinct.
The music came across as acceptably distinctive. This was a standard “comedy mix” and became a decent reproduction of the material.
How did the 4K UHD compare to the Blu-ray? Audio seemed pretty similar, as the Atmos mix didn’t have a whole lot of room for growth due to the unexceptional soundfield.
However, the 4K’s visuals worked better, as this disc looked a bit tighter and more vivid. This didn’t turn into a remarkable upgrade, but the 4K turned into the more satisfying rendition of the film.
We can watch either the original theatrical cut (1:37:47) of Step Brothers or an unrated extended version (1:45:31). How do the two differ?
Not in many ways, though a few scenes are longer than their theatrical counterparts. We see more of the first family dinner between the two connected clans, and the physical fight between Brennan and Dale runs longer.
The extended version throws in a little more in terms of the job interviews and the house tours, and both Derek’s birthday and Christmas dinner add footage. The latter offers probably the most new material, as it provides quite a lot of extra information, most of which connects to Dale’s relationship with Derek’s wife Alice. Some other new pieces may appear as well, but those are the ones I noticed.
All of this footage is fun to see, but I don’t know if any of it adds to the film’s impact. I really liked the theatrical cut of Step Brothers, but that doesn’t mean more of a good thing proves successful.
Still, both versions work fine. The theatrical one’s a bit tighter, but both entertain.
Outside of the two cuts, no extras appear on the 4K UHD, but the included Blu-ray copy provides a slew of features, and we open with an audio commentary from director Adam McKay, actors Will Ferrell and John C. Reilly, and NBA star Baron Davis. Composer Jon Brion also scores the commentary, and that’s the factor that makes it unusual.
Rather than simply chat about the movie, Brion’s music prompts the participants to sing their remarks. This conceit continues through the whole commentary, though it comes and goes.
Why is Davis here? For the wackiness factor, I guess. Remember that these are the same guys who brought Lou Rawls into the commentary for Anchorman even though the soul singer had nothing to do with the film.
Nor did Davis, but to my surprise, he adds a lot to the track. He pops up about one-third of the way into the flick, and he provides a lively presence.
When Davis first arrives, the others pepper him with questions about life in the NBA. Davis then adds a nice Barry White vibe to a song about wooing a southern California city. (This makes sense – sort of – if you listen to the commentary.)
Davis also pushes the commentary toward the informative side of the street. Before his arrival, the track mixes a few actual movie-making tidbits with a lot of singing and joking.
Davis really likes the Ferrell and Reilly flicks, so he displays genuine interest in the creation of Step Brothers. He prompts the guys to actually chat about the movie, something they don’t do a whole lot before he comes onto the scene.
When Davis splits, the track loses some steam, and the remaining participants acknowledge that they fade as matters progress. Still, the whole thing proves pretty amusing and entertaining.
Will you learn much about the movie? No, but you probably won’t care. This commentary is a lot of fun, even if it doesn’t tell us a lot about Step Brothers.
15 Extended and Alternate Scenes fill a total of 38 minutes, 59 seconds. These include “Ghost Story” (1:45), “What Do You Do?” (3:01), “Night Vision Goggles” (4:22), “Hulk Hands” (3:15), “Catalina Heart Attack” (5:04), “Wedding Toasts” (2:50), “Sex Talk” (1:00), “Treehouse Sex Stories” (6:39), “Show and Tell” (2:42), “Meth Lab” (0:49), “911 For Food” (1:24), “Apartment Hunting” (1:09), “Win Win” (1:49), “I Hate Your Face” (2:28) and “Randy Flashback” (0:27).
Lots of funny material appears here, though I don’t know if any of it would’ve been good in the movie. “Ghost Story” does explain why Brennan’s so afraid of spectral visitors, and “Hulk Hands” is a funny extension to the Christmas scene.
These probably would’ve made the flick drag, but they’re enjoyable to see here. A few of them get a bit old, and “Treehouse” is the worst offender, as it goes on way too long. Or it would go on way too long if it ended up in the final cut, but as an extra, it’s nice to see.
More cut material comes from Line-O-Rama. It offers a five-minute and 56-second collection of alternate lines. These mostly come from scenes that made the flick but provide different takes. That makes them entertaining.
After this we find a four-minute and 17-second Gag Reel. Though these usually end in the standard giggles, they feature many alternate lines not found elsewhere. That makes the “Reel” much more valuable than the average blooper collection; it’s a ton of fun.
Next we get a music video for “Boats ‘n Hoes”. We see parts of this clip during the movie, but the one-minute and 45-second segment lets us check out the whole thing. That makes it a neat addition to the set.
The Making of Step Brothers goes for 22 minutes, four seconds and features McKay, Reilly, Farrell, producer Judd Apatow, and actors Richard Jenkins, Adam Scott, Kathryn Hahn, and Mary Steenburgen. We learn about the project’s origins and development, cast, characters, performances and improv, the crew and their work, and a few scene specifics.
While we find some decent details about the production, the behind the scenes bits work the best. We find many cool shots from the set and get even more improv material. Even if we learned nothing about the flick, “Making” would be worthwhile due to all the unused footage.
The set also presents six Deleted Scenes. These go for nine minutes, 35 seconds and feature “Fancy Sauce” (1:50), “Hard Wired” (1:00), “Robert and Nancy Fight” (2:04), “Post Party Fight” (1:14), “Where Are My Condoms?” (1:10) and “Dale and Alice at the Buffet” (2:16).
To some degree, these almost feel like extended scenes, since virtually all of them connect to sequences in the final flick. Nonetheless, they offer elements not directly attached to existing sequences.
For instance, we see Alice hit on Dale at the helicopter party. Though we view a lot of that gala, no remnants of this scene appear in the end product. As usual, the segments are a lot of fun and definitely worth a look.
By the way, “Apartment Hunting” from the “Extended and Alternate Scenes” area probably should’ve been under “Deleted Scenes”. We see a little of it during a montage, but that was silent footage, so this version offers dialogue absent from the final film. That gives it a very different flavor and really turns it into an actual deleted scene in my opinion.
Plenty more cut footage comes in a few other domains. These include Job Interviews (29:09), Therapy Sessions (13:38), and the Prestige Worldwide Full Presentation (4:52).
There’s not much left to say about this material that I didn’t already mention when I addressed the reams of other cut footage. We find lots and lots of additional amusement here, and the deleted bits are just as good as the clips that made the final film.
Cut footage is usually pretty forgettable, but you could make an entire alternate version of Step Brothers that’s at least as entertaining as the release edition.
Next comes a montage called Dale Vs. Brennan: Sibling Rivalry. In this six-minute, 53-second piece, we see even more deleted footage. We get alternate comments from the many early scenes that pit the stepbrothers against each other. As usual, they’re amusing.
Some actual information arrives with the 18-minute and 14-second The Music of Step Brothers. It provides notes from McKay and Brion.
We get some remarks about how Brion got the gig and his work on the score, but “Music” is more show than tell. It features a lot of footage from the recording sessions, and that’s fine. It becomes a little tedious after a while, though, and I wish the participants gave us more details.
Next we find a Music Video Editor. This allows you to create your own version of “Boats ‘n Hoes” via the nine camera angles provided. It’s a fun little extra.
Some silliness shows up in the seven-minute, 20-second Charlyne Moves In. It tells us that Judd Apatow allows actor Charlyne Yi to live on the set for a while. Comedy results, especially when Charlyne interferes with the shoot.
A wacky program comes to us with L’Amour En Caravane. During this 12-minute, two-second piece, we’re told of romantic tensions on the set. It’s just as fabricated as “Moves In”, of course, and it’s also amusing.
In addition to the film’s red band trailer, we get a few Previews. This area presents ads for Superbad, Talladega Nights, Walk Hard: The Dewey Cox Story, The House Bunny, 21, 88 Minutes, Vantage Point, Pineapple Express, Hancock, You Don’t Mess with the Zohan, Casino Royale, Starship Troopers 3: Marauder, Prom Night (2008), Resident Evil: Degeneration and Blu-Ray Disc.
Maybe 2008’s funniest movie, Step Brothers really flies. Much of the credit comes from the chemistry between its two leads, but the silly premise, great supporting cast and general willingness to embrace its own absurdity also contribute to the flick’s success. The 4K UHD boasts solid picture quality, good audio, and we many fun supplements that include tons and tons of amusing footage. This is a terrific release for a very entertaining film.
To rate this film visit the Unrated Special Edition review of STEP BROTHERS
