Lara Croft Tomb Raider: The Cradle of Life appears in an aspect ratio of approximately 2.35:1 on this 4K UHD Disc. Though not a stellar presentation, the image worked pretty well.
Sharpness was largely strong. A few interiors looked a smidgen soft, but those instances created no notable concerns.
Jagged edges and moiré effects created no issues, and edge haloes remained absent. In addition, Cradle lacked any sign of source flaws.
Like most action films, Cradle went with stylized hues that often favored a warm orange or amber tone. The film offered rich and concise tones that were well represented.
Blacks also seemed tight and dense, while low-light shots appeared largely detailed and accurate. Some funky “day for night” late in the film looked a bit awkward, but most of the dark scenes worked fine. I felt pleased with this positive transfer.
In addition, the DTS-HD MA 5.1 soundtrack of Cradle seemed solid. The soundfield offered a consistently lively and engaging experience.
From the forward speakers, I heard solid stereo separation for the music, and effects presented a vibrant and active presence. Different elements were neatly localized, and they moved across channels and blended together neatly and cleanly.
The surrounds also contributed a terrific amount of information as they created an encompassing environment. The rear speakers featured solid reinforcement of music throughout the film, and it included a wide variety of effects as well.
Virtually every action sequence came across with a fine level of excitement and activity from all around the spectrum. Gunfire, critters, vehicles, and various baddies all popped up from the different speakers, and these allowed the mix to really kick to life nicely.
Audio quality also appeared very solid. Although much of the speech needed to be looped, dialogue always came across as natural and distinct, and I heard no problems related to intelligibility or edginess.
Music seemed robust and vivid, as the songs and the score demonstrated good fidelity and range. Effects were the stars of the show, however, as they presented excellent clarity and accuracy and also packed a good punch.
Bass response seemed deep and rich, and highs were crisp and bright. Cradle created an excellent auditory impression.
How did the 4K UHD compare with the Blu-ray? Audio remained identical, as both discs sported the same DTS-HD MA 5.1 soundtracks.
As for visuals, the 4K offered a modest uptick in terms of definition, and the HDR colors boasted a little more vivacity. However, I didn’t see substantial differences between the two, so the 4K UHD turned into a mild upgrade.
Only one extra appears on the 4K UHD disc: an audio commentary from director Jan De Bont. He offers a running, screen-specific piece. De Bont covers a mix of topics, most of which focus on technical domains.
De Bont gets into locations, stunts, visual effects, and the many logistical challenges caused by this sort of massive project. He also occasionally chats about the actors and lets us know a little about casting, improvised lines, and some other issues, but he mostly goes over the nuts and bolts issues.
At times De Bont favors too much praise, so we always hear how this was fantastic and that was amazing. Nonetheless, he gives us a lot of information and creates a reasonably interesting examination of the movie.
The package includes a Blu-ray copy, and that’s where the rest of the extras reside. Seven deleted/alternate scenes run a total of 11 minutes, 56 seconds. Most of these offer fairly uneventful moments that slightly expand existing concepts and seem inconsequential.
One introduces the Djimon Hounsou character earlier in the film, and the alternate ending provides a less effective conclusion to the movie. The latter’s the most interesting to see, as it’s a rare example in which the utilized ending seems more daring than the unused one.
We can view the deleted/alternate scenes with or without commentary from director De Bont. He gives us some notes about each clip and explains why he omitted them. The commentary adds nice information about the snippets.
In the Featurettes domain, we locate five programs that cover various aspects of the movie. These include “Training” (8:57), “Vehicles and Weapons” (4:32), “Stunts” (10:57), “Visual Effects” (11:29), and “Scoring” (4:47).
Across these, we get comments from director De Bont, stunt coordinator Simon Crane, actors Angelina Jolie, Christopher Barrie, Noah Taylor, Ciaran Hinds and Gerard Butler, story writer James V. Hart, personal trainer Ed Chow, stuntwoman Nicola Berwick, horse trainer Gerard Napliox, action vehicle coordinator Graham Kelly, armorer Richard Hooper, special effects director Chris Corbould, line producer Phillip Lee, visual effects supervisors Steven Begg and Ben Shepard, production designer Kirk M. Petrucelli, and composer Alan Silvestri.
“Training” concentrates on Jolie’s preparation, as we see her learn and execute different physical activities. “Vehicle and Weapons” offers what the title states, though it doesn’t include much depth. Nonetheless, it presents a fun sequence in which Jolie examines all her new toys with Hooper.
“Stunts” discusses the scene in which Lara and Terry quickly descend on ropes as well as the high-rise jump. “Visual Effects” looks at the faked underwater photography, the Stealth re-entry pod, and the creatures and setting in the Cradle of Life.
Lastly, “Scoring” looks at the movie’s music, its creation and intent. None of these seem outstanding, but all offer some nice moments and collectively give us a pretty decent look at the movie.
A short but cool feature shows up via Gerard Butler’s Screen Test. In this four-minute, two-second snippet, he performs the scene in which we first meet Terry in jail. It’s quite a good performance; many screen tests seem somewhat artificial, but this one feels like it could go straight into the final flick.
After this we discover two music videos. The disc presents Korn’s “Did My Time” and the Davey Brothers’ “Heart Go Faster”.
The former mostly mixes the usual lip-synch and movie elements, but it also attempts some sort of plot and incorporates specially-shot footage of Jolie in character, so it seems a little more interesting than usual.
The latter presents no new shots of Jolie and consists of band images and movie bits. However, it’s a little more stylish than most in its genre.
Without Angelina Jolie, Lara Croft Tomb Raider: The Cradle of Life would probably be little more than an average action/adventure flick. Actually, with Jolie it rarely seems better than average, but the actress helps give the movie personality. The 4K UHD boasts very good picture and audio plus a fairly nice set of supplements. Though a satisfying presentation in is own right, I can’t claim the 4K UHD does much to top the Blu-ray.
To rate this film visit the prior review of LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE
