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WARNER

SERIES INFO

Director:
Issa López
Cast:
Jodie Foster, Kali Reis, Fiona Shaw
Writing Credits:
Various

Synopsis:
In Ennis, Alaska, the men that operate a research station vanish. To solve the case, Chief Danvers and Trooper Navarro will have to confront the darkness themselves and dig into the haunted truths that lie buried under the eternal ice.

MPAA:
Rated TV-MA.

DISC DETAILS
Presentation:
Aspect Ratio: 2.00:1
Audio:
English DTS-HD MA 5.1
French Dolby 5.1
German Dolby 5.1
Czech Dolby 2.0
Subtitles:
English
French
German
Dutch
Czech
Danish
Finnish
Norwegian
Swedish
Closed-captioned
Supplements Subtitles:
English
French
German
Dutch

Runtime: 379 min.
Price: $29.98
Release Date: 7/9/2024

Bonus:
• “Meet the True Detectives” Featurette
• “New Chapter” Featurette
• “Exploring Indigenous Themes” Featurette
• “Inkblots Challenge” Featurette
• “Settings” Featurette
• Episode Recaps


PURCHASE @ AMAZON.COM

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-Panasonic DMP-BDT220P Blu-Ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


RELATED REVIEWS


True Detective: Night Country [Blu-Ray] (2024)

Reviewed by Colin Jacobson (July 18, 2024)

Back in 2014, HBO introduced True Detective, an unusual form of crime series. When it picked up with a second season in 2015, it came with all-new characters and situations, not just an extension of S1’s topics and roles.

That trend continued via True Detective Season Three in 2019 and Season Four in 2024. Formally titled True Detective: Night Country, its six episodes take us to a spot in Alaska 150 miles north of the Arctic Circle.

This two-disc Blu-ray set includes all of those shows. The plot synopses come from the series’ official website.

Part One: “When eight researchers at Tsalal Station vanish without a trace, police Chief Liz Danvers (Jodie Foster) orders a search. After handling a workplace dispute, Trooper Evangeline Navarro (Kali Reis) tries to convince a skeptical Danvers that the men's disappearance is connected to the murder of local activist Annie Kowtok (Nivi Pedersen).”

While I didn’t love either Seasons One or Two of Detective, I did enjoy them. I only skipped S3 because I never received a review copy.

With Foster in tow, I go into Country with fairly high hopes. Of course, the three prior seasons came with legitimate A-list talent, but because Foster seems picky about her roles, I go into her projects with elevated expectations.

Though perhaps I shouldn’t, as Foster doesn’t always choose quality affairs. Still, she comes with a strong career so her presence in Country bodes well.

Inevitably, an episode that debuts a story leans toward exposition and character introductions, so expect that from “Part One”. Nonetheless, the show manages to create an intriguing narrative along with those basics. This makes me curious to see where Country will go from here.

Part Two: “As Danvers and Prior learn more about Tsalal -- and find an unlikely location for the physical evidence -- Captain Ted Connelly (Christopher Eccleston) threatens to move the case to Anchorage. Later, Navarro and Danvers find a connection between one of the Tsalal men and Annie.”

We get too many echoes of 1982’s The Thing for these to arise unintentionally. Not that Country directly copies that classic, but it definitely finds connections.

These give the series a creepy vibe so far. I don’t suspect an alien will pop up as part of the season, but the eerie tone permeates.

Character moments prove less compelling than the main investigation, but they also don’t bog down the show. This leads to another solid show.

Part Three: “While Captain Hank Prior (John Hawkes) leads the search for missing scientist Raymond Clark (Owen McDonnell), Officer Peter Prior (Finn Bennett) asks Danvers about the murder-suicide case that drove a wedge between her and Navarro. Navarro and Danvers seek out a local hairdresser for insight on Annie -- which leads to a tip.”

At least as depicted so far, I wish Country didn’t come with the backstory about the rift between Navarro and Danvrrs. Although a flashback here adds intrigue for a variety of reasons, I think the show would fare better if it lacked this sub-theme entirely or at least never formally explained it.

Of course, with half the season left to go, I remain open to the possibility that I’ll change that attitude. I also admit the nuggets we get in “Part Three” leave matters mysterious enough to prompt a moderate desire for more information.

Otherwise, “Part Three” pushes along the main investigation narrative pretty well. It balances the investigation with the usual interpersonal elements in a progressive manner that gets us to the season’s mid-point in a satisfying manner.

Part Four: “When Julia's (Aka Niviâna) mental health struggles resurface, Navarro brings her to a local facility, promising that this time will be better. Later, Danvers and Navarro confirm the location of Annie's murder, and Danvers levies a harsh punishment on Leah (Isabella Star LaBlanc).”

Set at Christmas, much of “Part Four” concentrates on the characters and their personal lives – or lack thereof. That makes this one less focused on the mystery than usual, but the exploration of these other domains adds richness.

Part Five: “As Prior digs into the links between Tsalal and mining company Silver Sky, Navarro rescues Leah from a local protest that has turned violent. At a meeting with Silver Sky exec Kate McKitterick (Dervla Kirwan), Danvers is warned not to pursue the case any further.”

As Country approaches its end, the plot thickens. Some of this feels a bit contrived, but “Five” nonetheless offers enough intrigue to prod us toward the finale.

Part Six: “In the midst of a bad storm, Danvers and Navarro find themselves stuck at Tsalal with no electricity or means of contact. As the truth about what happened to Annie and the Tsalal men unfolds, Navarro and Danvers each confront the demons from their past.”

Country winds up with a bang – of sorts. It doesn’t give us an action-packed finale, but it brings matters to a close with some surprises.

The season toyed with the supernatural and “Part Six” neither embraces nor negates those elements, which I like. It leaves those matters vague and up for interpretation.

All of this means Country wraps on a positive note. The six episodes tell an unusual tale and do so in a largely compelling manner.


The Disc Grades: Picture B+/ Audio B/ Bonus D+

True Detective: Night Country appears in an aspect ratio of 2.00:1 on these Blu-ray Discs. As expected, the episodes provided a strong visual presentation.

Sharpness worked well, as I detected only minor signs of softness in some wider shots. Instead, the movie remained accurate and concise most of the time.

I witnessed no jagged edges or moiré effects. Both edge haloes and source flaws remained absent.

In terms of colors, Country mainly went with a chilly white/blue-oriented palette that matched the snowy setting, though some amber and teal popped up along the way. These hues made sense for the story and the Blu-rays replicated them well.

Blacks seemed deep and dark, while shadows appeared smooth and clear. At all times, this turned into a pleasing image.

Though not an action extravaganza, the film’s DTS-HD MA 5.1 soundtracks of Country provided occasional kick, mainly due to the involvement during its many exterior scenes. Those used the frigid weather to create a sense of environment that engulfed us in the material.

Music also used the five channels in an active way, and the smattering of more action-oriented scenes brought the mix to life in a vivid manner. In particular, the helicopter crash worked well, and other segments boasted nice activity and involvement.

Audio quality excelled, with music that seemed vivid and full. Speech appeared natural and concise, while effects boasted terrific range and impact.

Low-end was tight and deep as well. The soundtrack brought out the sonic material in a satisfying manner.

A smattering of extras arrive, and across both discs, we get Episode Recaps. These span between 42 seconds and 61 seconds and for a total of five minutes, 14 seconds.

The “Recaps” simply offer compilations of scenes that act as quick summaries. They seem superfluous if you watched the shows.

On Disc One, Meet the True Detectives lasts two minutes, 56 seconds. It features actors Jodie Foster and Kali Reis.

They ask each other some pre-written questions about each other. It becomes a cute but not especially substantial chat.

New Chapter goes for two minutes, 59 seconds. It brings remarks from Foster, Reis, writer/director Issa López, executive producer Mari Jo Winkler-Ioffreda and actor Finn Bennett.

“Chapter” brings a quick overview of this season’s story, characters and setting. It gives us a few nuggets but exists as a promotional piece.

When we shift to Disc Two, we find Exploring Indigenous Themes. It spans four minutes, 43 seconds and involves Reis, López, Winkler-Ioffreda, Foster and actors Aka Niviâna and Isabella Star Lablanc.

We get notes about the use of cast/crew and concepts native to the area of Alaska depicted. This one brings a mix of minor insights and self-praise.

Inkblots goes for three minutes, 13 seconds and brings back Reis and Foster together to discuss what they think patterns resemble, all of which intend to look like elements from projects that run on HBO Max. It becomes a cute promo piece.

Finally, we get Setting. It lasts two minutes, 17 seconds and provides info from López, Foster, Winkler-Ioffreda, Reis, and actor John Hawkes.

Unsurprisingly, this one discusses shooting Iceland for Alaska. Once more we find a combo of worthwhile material and fluff.

As the fourth season of True Detective, Night Country maintains a good standard of quality. The six episodes keep us involved and invested. The Blu-rays deliver positive picture and audio but the set lacks substantial supplements. Country works as a solid mystery story.

Viewer Film Ratings: 3 Stars Number of Votes: 2
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