Reviewed by Colin Jacobson (May 19, 2022)
While currently riding high as the director of Doctor Strange In the Multiverse of Madness, Sam Raimi keeps active in other ways. Raimi functions as producer for a new horror flick, 2022’s Umma.
After she moves to the US from Korea, Amanda (Sandra Oh) operates a farm, with bee-keeping her specialty. She homeschools teen daughter Chris (Fivel Stewart) and leads a simple rural life.
Matters take a shift when her uncle (Tom Yi) visits and brings the ashes of Amanda’s late mother. This stirs up conflicts that may veer into the supernatural realm.
As I went into Umma, I held out some moderately high hopes that it might offer something more interesting than the average horror flick. It comes with some interesting possibilities, and the combination of Raimi and the consistently good Oh buoyed expectations.
Oh does manage to produce a quality performance as our lead. She allows for Amanda to develop in a subtle manner that shows her dark transformation without any push toward overwrought tendencies.
Otherwise, however, Umma fails to separate from the pack in a positive way. Despite themes that could lead toward a dark psychological journey, the movie usually embraces the obvious.
In this genre’s case, that means plenty of telegraphed scares. The score works overtime to bring attempted chills to the viewer, and this feels heavy-handed and self-defeating.
The music beats us over the head with the filmmakers’ desire to scare us and it backfires. Because the score feels so desperate, the possible creepy moments perversely lose impact.
Like so many other modern horror flicks, Umma also finds little to give us beyond “jolt moments”. Jump scares are a blight on the genre, and they seem especially out of place here.
A well-made Umma would keep us in suspense as Amanda slowly undergoes mental degeneration. It would create an impact via basic psychological undercurrents.
Instead, Umma takes the easy way out and keeps matters superficial. We don’t get a great feel for the characters and the film substitutes easy “boo scenes” for deeper terror.
At a mere 83 minutes, at least Umma doesn’t wear out its welcome. Nonetheless, the movie undercuts its positives and becomes a collection of creepy moments in search of a story.