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PARAMOUNT

MOVIE INFO

Director:
Martin Scorsese
Cast:
Leonardo DiCaprio, Jonah Hill, Margot Robbie.
Writing Credits:
Terence Winter

Synopsis:
From the American dream to corporate greed, stockbroker Jordan Belfort goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s.

Box Office:
Budget
$100 million.
Opening Weekend
$18,361,578 on 2,557 screens
Domestic Gross
$112,821,562.

MPAA:
Rated R.

DISC DETAILS
Presentation:
Aspect Ratio: 2.40:1
Dolby Vision
Audio:
English DTS-HD MA 5.1
English Audio Description
French Dolby 5.1
Subtitles:
English
French
Closed-captioned
Supplements Subtitles:
English
French

Runtime: 179 min.
Price: $25.99
Release Date: 12/14/2021

Bonus:
• “The Wolf Pack” Featurette
• “Running Wild” Featurette
• “Round Table” Featurette


PURCHASE @ AMAZON.COM

EQUIPMENT
-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Sony UBP-X800 4K Ultra HD Blu-ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


RELATED REVIEWS


The Wolf of Wall Street [4K UHD] (2013)

Reviewed by Colin Jacobson (December 12, 2021)

Based on a true story, 2013’s The Wolf of Wall Street introduces us to Jordan Belfort (Leonardo DiCaprio) as a young, aspiring Wall Street broker. Alas, before too long, the stock market crash of 1987 means the loss of this job.

Jordan winds up in a low-rent gig marketing penny stocks. While this seems to be dead end, Jordan figures out how to turn big profits, and he soon founds his own firm. We follow his rise to enormous wealth as well as all the complications – personal and professional – that come along the way.

That synopsis summarizes a three-hour movie without much detail, but in a way, it may make the story sound like it offers more narrative than it does. Superficially, Wolf features a standard “rags to riches” tale with plenty of character and story moments along the way.

After all, we watch the rise of Jordan’s business, the relationships he shares with business partners and two wives, and the pursuit of FBI Agent Patrick Denham (Kyle Chandler). With all of that on display, Wolf could’ve been tremendously plot heavy.

But it isn’t. In GoodFellas, we find a climactic scene in which a cocaine-fueled Henry Hill goes on a manic journey to avoid the pursuit of legal authorities. When I watched Wolf, I got the feeling that director Martin Scorsese remembered that sequence and decided to base a three-hour movie around it.

Oh my, do we get lots of scenes related to drugs! When Wolf finished, I felt like I’d viewed three hours of nothing but drug use and sex. We get one scene of this sort after another, and it gets pretty tedious after a while.

I understand the point Scorsese wanted to make, as he desired to show the rampant, insane hedonistic excess of Jordan and his crew. That’s fine, but the overwhelming focus on the drugs/sex means the movie loses any impact.

Rather than feel like these scenes involve us in the crazed world of Jordan and the others, we simply become bored. The movie can’t sustain the manic energy, and it gives us too few respites from the insanity to give those wild moments much impact.

Even with the serious nature of the material, the end result feels really “light”. The movie comes across as a comedy, so the characters’ antics lack much impact. Not only do Jordan’s manic exploits bore us eventually, but also they don’t provide much meat.

Again, I suspect some of this was intentional. I get that Jordan and company led utterly superficial lives and the story doesn’t grant them any emotions or thoughts that lend the roles more depth. They’re totally on the surface, and the film revels in their complete lack of introspection and humanity.

At 90 minutes, that’s probably a wildly entertaining movie. At two hours, it likely drags a bit but still keeps us with it.

At three hours, however, you may beg for it all to end. Like I’ve said, I believe Scorsese opted to make Wolf three hours to underline the excess. By subjecting us to endless scenes of depravity, we’re as worn out as the characters.

While I understand that stylistic choice, it just doesn’t work. With so much redundancy and no characters of interest, we lose interest in Jordan et al well before the film finally comes to an end.

At least it’s a fun ride for a while, as the first act brings us into the wild ride. It probably helps that this initial hour includes less of the drugs and sex that pervade the rest of the movie and includes most of the character/story development. Once it sets these elements in place, it becomes more tedious, but the flick manages to entertain us at the beginning.

It also comes with pretty solid acting. While neither DiCaprio nor his co-stars can bring depth to the thinly-written roles, they do bring dynamic energy to the parts and seem to have a blast along the way.

DiCaprio earned his fourth Oscar nomination for Wolf, and it may offer his best work of that bunch. The only flaw comes from the lack of depth to the part, and I can’t blame DiCaprio for that. He invests the role with amazing gusto and makes the one-dimensional character much more interesting than otherwise might have been the case.

Admittedly, DiCaprio is far too old for the role, for while Leo remained boyish, not even a blind man would buy him as a guy in his early to mid-twenties. Still, he embraces the part so wholeheartedly that his “weathered” visage becomes only a brief and minor distraction.

Wolf may encounter some controversy due to its rampant nudity, though there's all sorts of types of nudity in movies. There's some that's meant to be comedic, there's some that's meant to convey a negative impression, and there's some that's there because hot women look good naked.

One may defend the nudity in Wolf as being crucial to show the level of depravity in the characters' universe - and maybe that's fair. I don't think the movie needed it, though.

Am I really happy Margot Robbie showed us all she can? Damn right I am.

Would the scene have worked just as well if she'd been in underwear instead? Yup, and virtually every other instance of nudity in the film was the same.

That said, I’m not complaining, as the nudity in Wolf became its biggest redeeming feature. At times, the film can offer a wild and entertaining ride, but it loses steam well before it ends and winds up as a tedious affair in need of editing.


The Blu-ray Grades: Picture B+/ Audio B/ Bonus C

The Wolf of Wall Street appears in an aspect ratio of approximately 2.40:1 on this 4K UHD Disc. Overall, the Dolby Vision image worked well.

Sharpness usually looked positive, as the majority of the flick demonstrated quality delineation. However, wide shots occasionally demonstrated mild softness. Still, the movie usually appeared well-defined.

No issues with jaggies or moiré effects occurred, and edge enhancement remained absent. As for print flaws, they stayed away here, so I noticed no signs of any defects in this clean and distinctive image.

In terms of colors, Wolf favored orange and teal, though not to an overwhelming degree. While I might’ve preferred a more natural palette, the hues seemed fine within their design parameters. The disc’s HDR added impact and range to the tones.

Black levels seemed deep and dense, and low-light shots demonstrated fine clarity and never became too thick. HDR brought breadth and power to whites and contrast. Though not quite a stellar image, the movie looked very good.

I thought the DTS-HD MA 5.1 soundtrack of Wolf was unexceptional, though it worked fine for this sort of film. In terms of effects, general ambience ruled the day.

Surround usage stayed limited; the back speakers gently fleshed out various settings and boasted good music involvement but did little more than that. A few sequences – like drug-induced stupors and episodes aboard planes – brought more zip to the proceedings, but I didn’t find a ton to impress.

Audio quality appeared fine. Dialogue was consistently warm and natural, though I noticed a little edginess at times.

Effects seemed accurate and showed good punch when necessary. Music was consistently lively and dynamic. Nothing here dazzled, but the mix worked for the film.

How did the 4K UHD compare to the Blu-ray version? Both came with identical DTS-HD MA 5.1 audio.

As for the movie’s Dolby Vision presentation, it looked better defined and offered superior colors and blacks. While I didn’t think the 4K blew away the Blu-ray, it became the more satisfying image.

Also found on the Blu-ray, a featurette called The Wolf Pack runs 17 minutes, one second and provides comments from director Martin Scorsese, screenwriter Terence Winter, producer Joey McFarland, Emma Tillinger Koskoff and Riza Aziz, costume designer Sandy Powell, and actors Leonardo DiCaprio, Jonah Hill, Rob Reiner, Jon Favreau, Margot Robbie, and Kyle Chandler.

The show looks at the source material and script, Scorsese’s approach to the material, story/character areas, cast and performances, and general thoughts.

One shouldn’t anticipate a deep featurette from “Pack”. While not tremendously fluffy, it lacks much meat and tends to give us a light, general look at the production. We get a few good details but not much substance here.

New to the 4K, Running Wild spans 11 minutes, 21 seconds and features DeCaprio, Scorsese, McFarland, Aziz, Winter, Favreau, Robbie, technical advisor Giosue D’Avanzo, Hill, Reiner, and production designer Bob Shaw.

“Wild” covers the movie’s path to the screen, the screenplay and the source material, and some scene specifics. Though too short to become an in-depth examination, “Wild” offers a mix of good notes.

Another addition to the 4K, a Round Table goes for 10 minutes, 58 seconds and involves DiCaprio, Scorsese, Hill and Winter.

All four sit together to discuss rehearsals and improvisation, and some scene details. Like “Wild”, the round table doesn’t run long enough to give us great substance, but it provides some useful info.

For a while, The Wolf of Wall Street packs a punch and gives us a wild ride. However, it comes saddled with an excessive running time that causes it to run out of steam well before it finally ends. The Blu-ray provides positive image and audio but lacks a lot of bonus materials. Wolf delivers enough juice to merit a look from Scorsese fans, but they shouldn’t expect greatness from it.

To rate this film, visit the prior review of WOLF OF WALL STREET

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