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Mel Brooks
Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn, Cloris Leachman, Teri Garr, Kenneth Mars, Richard Haydn
Writing Credits:
Mary Shelley (novel), Gene Wilder, Mel Brooks

The scariest comedy of all time!

Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Frankenstein movie ever made. Summoned by a will to his late grandfather's castle in Transylvania, young Dr. Frankenstein (Gene Wilder) soon discovers the scientist's step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchbacked Igor (Marty Feldman) and the curvaceous Inga (Teri Garr), he creates a monster (Peter Boyle) who only wants to be loved.

Box Office:
$2.800 million.
Domestic Gross
$86.300 million.

Rated PG

Widescreen 1.85:1
English Monaural
Spanish Monaural
French Monaural

Runtime: 105 min.
Price: $14.98
Release Date: 11/3/1998

• Audio Commentary with Director Mel Brooks
• Documentary
• Outtakes
• Deleted Scenes
• Production Stills
• Interviews
• Trailers
• TV Spots


Sony 36" WEGA KV-36FS12 Monitor; Sony DA333ES Processor/Receiver; Panasonic CV-50 DVD Player using component outputs; Michael Green Revolution Cinema 6i Speakers (all five); Sony SA-WM40 Subwoofer.


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Young Frankenstein (1974)

Reviewed by Colin Jacobson (June 15, 2004)

Make no mistake about it: others can easily influence our enjoyment of various activities. For example, I soured on Mel Brooks quite some time ago for one simple reason: my friend Kevin's obsessive passion for High Anxiety. He's convinced this is one of the greatest films ever made, and he frequently quotes it or refers to it. On the other hand, I thought it was passable at best, and I've grown to feel antipathy towards all things Brooks because I'm just so sick of hearing about High Anxiety.

Despite this attitude, I decided I’d give 1974’s Young Frankenstein a look. Generally better regarded than Anxiety, I thought it might provide a more engaging example of Brooks’ wit. Somewhat surprisingly, I found Frankenstein to offer a pretty funny and entertaining movie. Do I think it represents a genuine comedy classic? No, but I can understand why others might feel that way. It casts a very broad comedic net that doesn't always capture its prey, but it does so frequently enough to merit a look.

Actually, this seems like one of those movies that will nicely withstand repeated viewings. You'll probably pick up many nuances when you check it out again. I haven't put this theory to the test, but I wouldn't be surprised if I actually liked Frankenstein better if I watched it a second - or third, or fourth - time.

Much - if not most - of the film's appeal for me came from the wonderful performances by virtually the entire cast. It's fun to rediscover just how good all these folks were back in the day; there's not a bad performance in the bunch. Boyle stands out for me, just because he makes the monster both funny and somewhat sad; unlike the original films, Young Frankenstein doesn't really go for that last aspect but it still comes out in Boyle's performance, which makes him just a little more effective. And even though I've seen it 100 times and knew it was coming, it's nearly impossible not to laugh at his rendition of “Puttin' On the Ritz”. Super-duper!

One other highlight is the wonderful cameo from Gene Hackman. While I knew he appeared in the film, I'd forgotten by the time he showed up, so his appearance was a pleasant semi-surprise. He's a delight as he makes his scene much better than it probably should have been.

Actually, everyone in the cast sells their lines better than the lines probably deserved. When Garr asks Wilder if he wants a "roll in the hay" and then proceeds to actually roll in some hay as she trills "roll, roll, roll in the hay!”, it's a stupid and obvious joke. However, Garr plays it so nicely that it's actually really funny. As Nigel Tufnel once said, there's a thin line between clever and stupid, and here that line is traversed simply because of some funny acting.

Mel Brooks scored twice in 1974, and Blazing Saddles seems to get most of the attention. I prefer Young Frankenstein, as it offers a more coherent and better executed parody. The movie seems clever and entertaining and stands as probably Brooks’ best work.

The DVD Grades: Picture C+/ Audio B/ Bonus A-

Young Frankenstein appears in an aspect ratio of approximately 1.85:1 on this single-sided, double-layered DVD; the image has not been enhanced for 16X9 televisions. One of Fox’s earliest forays into the DVD format, Frankenstein looked decent but could use a new transfer.

For the most part, sharpness came across fairly well. Largely due to the lack of anamorphic enhancement, the movie looked a bit loose at times, but not terribly so. Some mild examples of softness popped up at times, but most of the film looked reasonably concise and detailed. Some light instances of jagged edges and shimmering occurred, and a little edge enhancement also showed up through the film.

Black levels looked quite good. The movie displayed solid contrast, and low-light shots were nicely developed and detailed. The film exhibited a pleasant silver sheen that complemented the material well. Print flaws caused more distractions, though. Grain seemed rather strong at times, and I also noticed more than a few instances of specks, marks, grit, and other blemishes. These never became overwhelming, and Frankenstein usually presented a fairly good image, but the overall impression seemed mediocre.

On the other hand, the monaural audio of Young Frankenstein has held up fairly well over the last 30 years. Speech came across as warm and natural, with no issues of edginess or intelligibility along the way. Effects appeared fairly full and dynamic, and they didn’t suffer from any distortion or other problems. Music also was reasonably bright and rich, with pretty nice range. For a 30-year-old monaural soundtrack, Frankenstein seemed satisfying.

The DVD release of Young Frankenstein is essentially a port of Fox's nice laserdisc release from 1996. I didn't own that set, but from what I can tell, most of its features are reproduced here; I'll detail what parts seem to be missing later. Probably the supplement that sounds the most appealing is the running, screen-specific audio commentary from Mel Brooks. After all, this guy's a legendary funnyman, so one would assume his track would be a riot, right?

Unfortunately, no. By no means do I consider it to be a bad commentary, as Brooks actually offers a fair number of informative tidbits along the way. However, he seems more interested in just reminiscing and he appears to get caught up in his reverie about how much fun those days were. I don't fault him that - those were probably very heady and enjoyable days for him – but it just doesn't make for a terribly interesting commentary. It's definitely worth a listen for fans, and Brooks tosses in a few funny comments, but for the most part it's pretty dull.

Next we get a documentary called Making Frankensense of Young Frankenstein. The 41-minute and 50-second program mixes movie snippets, archival materials, and then-current interviews with actor/co-writer Gene Wilder, producer Michael Gruskoff, assistant editors Stan Allen and Bill Gordean, and cinematographer Gerald Hirschfeld. They detail issues connected to the early drafts of the script, various budget woes, alterations to the initial design, casting, the use of black and white cinematography, sets, practical effects, and some other anecdotes.

Wilder dominates this fairly entertaining show. It gives us a nice little summary of relevant issues and comes across as entertaining and informative. One major fault: the inclusion of no castmembers other than Wilder, and the absence of Brooks. The show would have been more engaging if it’d included a broader array of participants. Nonetheless, it seems useful and enjoyable overall.

Next we find seven deleted scenes that run for a total of about 17 minutes. The longest one is the first, as it goes approximately eight minutes. It's fairly obvious why these parts didn't make the cut; while they're funny, they don't add to the story, and probably would have slowed things down. That's especially the case for the eight-minute scene with the reading of the will; it's the most entertaining of the bunch, but eight minutes just would have been too much time for such a superfluous piece. Anyway, I liked the deleted scenes; they were a very worthwhile addition to this DVD.

On a similar note - but less interesting - are the few minutes of outtakes. These offer the usual kind of goof-ups and bloopers, but they're a little more compelling than usual. Of primary interest are the shots from the scene toward the end of the film when Kahn arrives in Transylvania; we see the segment from different angles, which makes it more entertaining.

The Young Frankenstein DVD packs in advertisements. It contains five theatrical trailers - three for the original US engagement, one for the foreign run, and one for a re-release - plus nine TV spots. Many of these are much more entertaining than you'd expect because Brooks narrates them; he makes them little comic wonders in their own right. The ones on which his voice doesn't appear on much more ordinary.

What else? We get a few minutes of interviews with Feldman (on his own) and Leachman and Wilder (together) for Mexican TV. These are mildly entertaining mainly because of the distracting manner in which the interviewer has to act as his own translator. I also liked them from a historical point of view; I love to see video footage that actually comes from the original production.

Finally, Young Frankenstein contains boohoogles of production stills. I didn't count them all, but the LD apparently had more than 500, and it looks like most - if not all - of them made it here. They're okay, if you like that sort of thing, but should probably be taken in small doses - that's a lot of still pictures to watch!

So what doesn't the DVD include from the LD? Not much, from what I can discern. Apparently one scene was presented with Feldman's dialogue dubbed into Spanish, French, and Japanese. That's not here, but since the entire film features Spanish and French soundtracks, that's not much of a loss; actually, it's something of a gain, since you can watch any scene in another language, if you so desire. (For the record, the French Teri Garr sounded sexier than the real one, but the Spanish one didn't do it for me.)

The DVD also lacks the radio spots that were apparently included on the LD, though all the TV ads seem to be intact. Finally, the only other thing I can find missing is a text essay that had appeared in the gatefold of the LD. This could have appeared in the DVD's booklet, but Fox chose to issue a plain card with nothing more than a listing of chapter stops, the contents of the "extra features" section, and a few photos.

One major thing absent from the LD of Young Frankenstein? Its $90 list price. The DVD retails for only $15, and you should be able to find it for even less over the Internet. While I can't say I loved this movie, I found it to be reasonably funny and entertaining, and I believe it will probably be even more interesting upon subsequent viewings. The movie could use a new transfer, but the audio seemed fine, and the supplements clearly add to the value of the collection. If well-executed screwball parody is your thing, Young Frankenstein would make a worthwhile addition to your collection.

Viewer Film Ratings: 4.6 Stars Number of Votes: 65
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